Pierre Kefer

A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.

A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.

A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.

A wealthy young businessman consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie).

Romantic novelist George Sand's Mauprat as adapted by cinema visionary Jean Epstein. As a child, orphan Bernard de Mauprat was adopted by Tristan, a brigand who brought him up with his biological sons to hate, kill and pillage. Hubert de Mauprat, the elder brother of Tristan, the very incarnation of nobility, and his daughter, the beautiful and intrepid Edmée, undertake to tear wild-eyed Bernard away from his uncle. Still uncouth and rough, Bernard endeavors to wrest the love of Edmée away from her betrothed.

Jacques Prémont-Solène is a degenerate gambler and his losses at baccarat have bankrupted his lover, Laure Maresco. When he steals four hundred thousand francs and loses that at the gambling tables, he flees to the United States, and Nathalie takes the blame. Twenty years later, she has a flourishing career as a nightclub singer, but their son is just as inept a gambler as his father had been.