Boris Petkovič

What happens when contemporary improvised music forms ties with Balkan street musicians? Tomaž Grom, a Slovenian double bassist, composer, improviser and researcher of acoustic potential, took his van and began to look for collaborators on the streets of Maribor, Zagreb, Tuzla, Novi Sad, Priština, Tirana and Skopje. Balkan Whispers is constantly on the brink of misunderstanding, getting lost along paths that are not to be found in contemporary sat-navs. However, despite all obstacles, a group of Balkan street musicians eventually get together for a contemporary music gig.

What happens when contemporary improvised music forms ties with Balkan street musicians? Tomaž Grom, a Slovenian double bassist, composer, improviser and researcher of acoustic potential, took his van and began to look for collaborators on the streets of Maribor, Zagreb, Tuzla, Novi Sad, Priština, Tirana and Skopje. Balkan Whispers is constantly on the brink of misunderstanding, getting lost along paths that are not to be found in contemporary sat-navs. However, despite all obstacles, a group of Balkan street musicians eventually get together for a contemporary music gig.

2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.

Story of Ranta, always hungry, clumsy and infinitely tall teenage boy (so tall that he could tie a necktie for Giraffes). When the gym teacher at his school invites him to play for a basketball team, Ranta's world is turned upside down. So starts an exciting journey, full of unpredictable adventures with his funny friend/manager Smodlak by his side.

A wild man in wilderness is nothing extraordinary, it is something easily imagined. But how to live in wilderness as an urban, civilised person? How to strike a balance between harmony with nature and participation in the society – without fear, cynicism, regret, frustration? How to retain your dignity in difference? How to live with less without any sacrifice? This is a story of a man who has taken fate into his own hands, radically reducing his dependence on dispensable essential material possessions of the modern society without cutting off his participation in it. This is a story of Nara, Nara Petrovič – Human.

A wild man in wilderness is nothing extraordinary, it is something easily imagined. But how to live in wilderness as an urban, civilised person? How to strike a balance between harmony with nature and participation in the society – without fear, cynicism, regret, frustration? How to retain your dignity in difference? How to live with less without any sacrifice? This is a story of a man who has taken fate into his own hands, radically reducing his dependence on dispensable essential material possessions of the modern society without cutting off his participation in it. This is a story of Nara, Nara Petrovič – Human.

Hearts beat for hip hop until Bruno meets a beautiful violinist Nina and Zoki ends up in a hospital after a fight. Which love will prevail, love for hip hop, love for a girl, or is it possible to have it all?

Hearts beat for hip hop until Bruno meets a beautiful violinist Nina and Zoki ends up in a hospital after a fight. Which love will prevail, love for hip hop, love for a girl, or is it possible to have it all?

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

L.V. Strocki is a traveling film projectionist in the best years. He is a representative of the first generation who watched partisan films, lived to see the invasion of the television and ended up among vampires. In the coastal region town he is preparing a film projection on the town square and a television team is making a documentary about this event. During the film projection about the heroines and heroes of an occupied town, a Heroine in a seductive outfit comes to see Strocki in his projection booth.

L.V. Strocki is a traveling film projectionist in the best years. He is a representative of the first generation who watched partisan films, lived to see the invasion of the television and ended up among vampires. In the coastal region town he is preparing a film projection on the town square and a television team is making a documentary about this event. During the film projection about the heroines and heroes of an occupied town, a Heroine in a seductive outfit comes to see Strocki in his projection booth.