Nicolás Aguilar Límenes

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

Neimar, who is currently preparing for his first communion, asks his grandmother how you can feel God. Claudia Sainte-Luce's film does not yield simple answers. Instead, it follows with a shrewd and bright view the world perception of a child in which - between the thundering of the ten commandments and horse racing - the profane and the transcendent are rearranged.

2014년 9월 26일, 멕시코에서 6명이 사망하고 43명의 학생이 사라진다. 중국의 활동가이자 예술가인 아이웨이웨이는 실종자 가족의 이야기를 통해 사라진 이들을 복귀시킨다. 영화는 전통적인 다큐멘터리 형식을 통해 기교를 덜어내고 숫자로만 말해질 수 없는 개별적 비극과 역사를 드러내는 진술에 집중한다. 인터뷰는 사라진 아이들이 가족에게 사랑스럽고 소중한 존재일 뿐만 아니라 의지를 가지고 삶의 변화를 모색한 ‘사회적 실체’로서의 인간임을 드러낸다. 멕시코 정부의 인도주의적 위기를 보여주는 이 작품은 진실이 규명되지 않았을 뿐 아니라, 실종으로 인해 미지의 존재로 남은 아이들이 가족에게는 영원히 현존하는 ‘살아 있는 자’임을 이야기하고 있다.

In times of zero tolerance for undocumented migration and Donald Trump tries to build higher walls to stop it, a series of deportees who intend to cross back to the United States survive by forming a community a few meters from the border fence.

In times of zero tolerance for undocumented migration and Donald Trump tries to build higher walls to stop it, a series of deportees who intend to cross back to the United States survive by forming a community a few meters from the border fence.

Marta, a woman who is suffering from an eternal pain she expresses through silences, lack of communication, and unspoken issues – and yet, it is there. Her friendship with a young man from the area creates an interest triggered by its ambiguity: is there s sexual tension, or rather she sees in him a memory of what she lost? Is there an attraction or does the young man stand for the ghost of that past that still exists in Marta's everyday life?

Marta, a woman who is suffering from an eternal pain she expresses through silences, lack of communication, and unspoken issues – and yet, it is there. Her friendship with a young man from the area creates an interest triggered by its ambiguity: is there s sexual tension, or rather she sees in him a memory of what she lost? Is there an attraction or does the young man stand for the ghost of that past that still exists in Marta's everyday life?

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.