Alexandre Ramos

참여 작품

Breaking Myths
Director of Photography
“Breaking Myths” aims to open the world’s eyes to the fragile and “catastrophic masculinity” of Brazil’s current President Jair Bolsonaro, a fanatical far-right politician who can best be described as the Brazilian Donald Trump — and who is up for a second term this October. The story is told through the lens of the critically acclaimed Brazilian filmmaker and LGBTQ activist Fernando Grostein Andrade (“Abe” Sundance 19), who directed, wrote, and produced the feature alongside creative partner Fernando Siqueira as the first release under his production company in California, FilmSoul Studios.
Tenório and the Dreams of Judo
Cinematography
Antônio Tenório and the Brazilian Paralympic Team are invited to a rare training camp in Japan. Passing through the main temples of Judo, our visually impaired athletes face the many challenges of training in an unknown country. The encounter with their Japanese hosts generates strangeness and difficulties, but also discoveries and joys. Step by step, these situations strengthen our athletes, who find themselves increasingly united. Led by the charisma and sensitivity of champion Tenório, a new generation of judo is revealed and inspired.
Carcereiros: O Filme
Director of Photography
Os Parças 2
Director of Photography
After learning that China has left the jail and is seeking revenge, Romeo needs to get money to leave the country as soon as possible. Soon, Toin, Ray Van and Pilôra join forces to restore a summer camp to attract all kinds of young people.
Fonte da Juventude
Cinematography
Obesity is a global epidemic, and to better understand this phenomenon, participate in the dialogue between the different sectors that work on the topic. Biodiversity, and better eating habits, can be the path to longevity.
Maresia
Director of Photography
Where do you draw the line between fact and fiction in one man's life? That's the issue confronting an art expert delving into the biography of a painter who drowned 50 years ago, whose presence suddenly makes itself felt through the appearance of a contemporary friend.
Primeiro Dia de um Ano Qualquer
Cinematography
On the first day of the year, multiple characters meet in a sumptuous country house nearside Rio de Janeiro. From dawn till dusk, they all face their crisis and limitations, and search for a meaning for their lives.
Golden Oldies 2
Camera Operator
The heroes of Golden Oldies 1— Juca, PR, and Montanha — are back, following different routes. Montanha lives in an old mansion and gets ready to reunite with his friends. Once together again, the three friends get into hilarious situations.
Não Se Preocupe, Nada Vai Dar Certo!
Camera Operator
Não Se Pode Viver Sem Amor
First Assistant Camera
Golden Oldies
First Assistant Camera
Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!
1972
First Assistant Camera
Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.
No Meio da Rua
First Assistant Camera
Leonardo, an upper-middle class boy from the south of Rio de Janeiro, befriends Kiko, a boy who lives on the street and who juggles balls at a traffic light. The rich kid decides to lend Kiko his handheld video game – but it is stolen by hill boys. This is just the beginning of a great friendship between the two. They begin a great adventure that takes Leonardo to the favela, where he knows a reality entirely different from his own.