Fábio Leal

With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.

40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

An electrical storm was created in silence.

Francisco is unhappy about his body.

Francisco is unhappy about his body.

Desire is mysterious. Desire is overwhelming. Desire is tragic. Desire is FURIOUS. The many permutations of that strange thing called desire are on full display in this stunning collection of 5 short films. Includes: Loris Is Fine [Loris sta bene] (2017); The Daytime Doorman [O Porteiro do Dia] (2016); The Other Side [Al otro lado] (2017); The Tiger's Fight [El tigre y la flor] (2016); Xavier (2016).

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

노년의 클라라에게 평생을 살아온 오래된 건물 아쿠아리우스는 집 이상의 의미가 있다. 재개발을 앞두고 건설사의 회유와 이웃들의 불만이 쏟아지지만 그녀는 퇴거를 거부하고, 곧 그녀의 일상에는 의문의 위협이 찾아드는데… 집단이기주의에 맞서 싸우는 쏘냐 브래거의 열연이 돋보인다.