Katia Leclerc O’Wallis

Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.

Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.

Following a traffic accident, a young man loses his memory and identity. Soon he will embark on a nightmarish adventure, confronting his darkest side.

Following a traffic accident, a young man loses his memory and identity. Soon he will embark on a nightmarish adventure, confronting his darkest side.

Sergeant Kormas is investigating the murder of a colleague, unearthing a dirty conspiracy where organized crime and law enforcement are two sides of the same coin. Tough men, femme fatales, cheeky one-liners and a hero who becomes the victim of his own choices, i.e. all the basic noir ingredients, are present and accounted for

The story takes place in a port controlled by Charlie the Greek and his criminal band. There are two things Charlie hates: drugs and homosexuality. But both are part of his life: he is madly in love with Joy who is a junkie, though he denies it even to himself. And regarding the homosexuality issue, his right hand, Tony, has an amorous relationship with a transsexual who is part of a group of trans-prostitutes. Ignoring Charlie's adamant orders, the transvestites work the streets around the port, with the help of Tony, who secretly supports them

포르투갈의 작은 시골 마을에 살고 있던 13살 소년은 감옥에서 출소한 뒤 고향으로 돌아온 청년을 만나며 남다른 성장통을 겪는다. 페드로 코스타의 "피", 몬테이로의 "실베스트르" 등을 제작했던 마누엘라 비거스가 연출한 단 한 편의 영화.