Pura
Euskadi 1985. It's summer time, the holidays are finally here. Marcos and his three friends, José Antonio, Paquito and Toni, anxiously await a promising summer break from the fresh view of 12-year-olds who have little care for where, how or when. They will while away the hours in the maze life has prepared for them, in an old, turbulent and trembling Euskadi. A maze of painted walls, where rubber balls and dreams bounce together; all covered by a sky tinged with the grey of prefabricated concrete, where life and death no longer keep formal relationships.
Each morning, whatever the day, four friends meet at a bar to have some beers and fix the world their own way, by criticizing and ranting against everything and everyone. They have something in common: they are all unemployed. Well, all but one.
Flamenco Club Waitress
공항에 들어선 한 남자. 그를 기다리던 두 사람은 남자에게 성냥갑 하나를 건네고, 스페인에서의 끝을 알 수 없는 임무를 지시한다. 그렇게 남자는 말도 통하지 않는 스페인에서의 여정을 시작하고 언제나 까페에 앉아 두 잔의 에스프레소를 시킨다. 그런 그에게 접근하는 사람들. 그들은 자신에 대한 어떤 소개도, 남자가 해야할 일에 대한 어떤 설명도 하지 않은 채 악기, 영화, 슈베르트, 다이아몬드, 분자 등 오직 자신들의 관심사에 대해서만 이야기하다가 성냥갑 하나를 남기며 사라진다. 그리고 남자는 그 성냥갑으로 다음 사람과의 만남을 이어가는데...
Adela does not bear Bernarda. Bernarda does not bear Adela. They fight. Adela discovers a purse. The purse discovers wheels. Adela flies.
Spanish drama about anti-immigrant racism and family problems. Berta is a single nurse raising her deceased sister's three teenage children in a Spanish port city. The two boys are neo-Nazis with a flaming hatred for African immigrants, and the girl has a boyfriend who runs an underground business smuggling illegal aliens from Africa. Into this time bomb comes a cop, Eduardo, who is investigating the vicious assault of a black man. He and Berta fall for each other and make tigerish love in scenes that are much hotter than you might expect from middle-aged actors.
A woman finds herself going from having no man in her life to having more suitors than she can handle in this offbeat romantic drama. Rosa is an artist in her early forties who is recently divorced and looking for a new relationship. Unfortunately, few immediate prospects are on the horizon, and Rosa spends much of her free time commiserating with her close friend Jaime, a gay actor her own age. After consulting Andronica, a fortune teller, Rosa is told that relationships with three different men are on the horizon for her, and soon she finds herself falling for Gustavo, an architect from Argentina. While in Spain, Gustavo is staying at a hotel run by Greta, who is the unwitting center of a web of romantic entanglements; her daughter, is involved with Juan, a delivery boy for a pizza parlor who also has his eye on Rosa, while Greta's ex-husband (Bob Wilson) is also hoping to win Rosa's heart, in his case through poetry.
Rita
A crooked CEO is kidnapped and nobody cares enough to pay his ransom.
Dependienta
끝이 시작이 되는 순환적인 구조 속에 두 연인의 비극적인 운명을 마치 퍼즐처럼 직조한 러브스토리로, 주인공들인 오토(OTTO)와 아나(ANA) 이름 또한 바로 읽으나 거꾸로 읽으나 똑같은 ‘회문’으로서 순환 구조의 일부가 된다. 주인공 아나와 오토는 8살 때 처음 만나 영혼의 교감을 나누게 된다. 그러나 두 사람의 만남으로 인해 오토의 아버지와 아나의 어머니가 결혼하는 바람에, 아나와 오토는 비밀스럽고 고통스러운 사랑을 간직하게 된다. 많은 우여곡절 끝에 서로를 떠난 두 사람은 25살이 되어 운명처럼 북극권의 가장자리 핀란드에서 다시 만나지만, 이들에게는 죽음이라는 또 다른 비극이 기다린다.
María
Lara, the host of a radio call-in show dealing in psychic phenomena, discovers that her gay estranged lover has been found dead in a small Spanish village. She learns that he was conducting secret experiments searching for tortured souls trapped behind the energy of the living world. This leads her to an old, abandoned house where the experiments took place - and there she finds a world of secrets and horror...
