Writer
After 27-year-old Karmen's father dies, the security structures of her previous life start falling apart, as her relationship with her half-brother Viktor also deteriorates, and she faces the darkness and emptiness of the universe.
Writer
Erik is convinced he has a stone for a heart. That’s why he doesn’t mind that his parents have no time for him, or that he is bullied at school, or that he has no real friends. When his family moves to a villa they inherited, he is confronted by Maria whom Erik's parents want to kick out along with her father. Maria refuses to move and promises to make Erik's life a living hell. As a last attempt to defeat Erik, Maria goes to look for her mother who disappeared two years ago. Together they end up on a fantastical journey to the In-Between-World and Erik learns how hard it really is to wear a heart of stone.
Writer
It is 1991 in Latvia and nineteen-year-old aspiring cinematographer Jazis’s whole world is thrown into chaos as he is dragged into the people’s peaceful protests against the Soviet Army’s attempted takeover of power in his country.
Screenplay
고대 암각화를 보러 가기 위해 여행을 떠나는 핀란드 유학생 여자. 무르만스크 행 기차 ‘6번 칸’에서 만난 낯설고 무례한 남자. 거리를 두려는 여자 ----------- 가까워지려는 남자. 목적지에 다다를수록 두 사람의 관계는 미묘한 변화를 겪게 되고…
Screenplay
After a heavy decision, Anna and Juhan are unable to move on with their lives. They take time off at their friends' fancy summer house and once there, are forced to offer shelter to another couple caught in the storm. The couple assumes that the house belongs to Anna and Juhan and they do nothing to correct the mistake. Instead, they seize their new roles and start taking their mutual bitterness out on the strangers. Pretenders is a psychological drama about the truths and illusions of a relationship.
Screenplay
Henrik is a successful actor and comedian who's always trying to prove he's not a homophobe. In his private life, he is lonely and insecure, struggling with adulthood. One day, after dislocating his shoulder, he joins a yoga class and makes his first gay friend ever.
