Deimantas Narkevičius
출생 : , Utena, Lithuania
약력
Deimantas Narkevičius was born in 1964 in Utena, Lithuania and now lives and works in Vilnius. Narkevičius started using film during the early nineties. His films exercise the intricate practice of memory and portray a contemporary society confronted with the painful processes of history. The camera offered him the possibility of exploring different narratives, allowing him to play with the course of time. He eschews the close-ups that are a common feature of contemporary documentaries, used to demonstrate the veracity of an interviewee’s testimony. The central characters of Narkevičius’s narratives are often absent from the screen, replaced by objects, drawings and other surrogates.
Director
Film reel and its material qualities are inseparable from an image it carries. Polarity between the physical marks on celluloid and the photographic image that it supports was an inspiration to create a stereoscopic sculptural illusion, titled Stains and Scratches.
Director
Into the Unknown is based on found footage of former DDR-documentary films, which spotlight contexts of the daily life of East Berliners. The footage generates a clash between what is seen and heard, mimicking the chasm between propaganda and reality—and the deceiving power of images.
Editor
The astronaut Chris Kelvin receives a visit from a woman who is a double of his dead wife. This story, told in Stanislaw Lem’s eponymous novel, was once adapted into the film Solaris by the legendary Russian film director Andrei Tarkovsky. According to Deimantas Narkevičius, Tarkovsky was not as critical of the increasing impact of electronic media on relationships and on the complex nature of human memory as Lem, the original author of the story. In this video, the actor Donatas Banionis reappears in his role as Kelvin, forty years after Tarkovsky’s film was shot. Revisiting Solaris is based on the last chapter of Lem's book, which had been left out of Tarkovsky’s adaptation. In order to visualize the landscape of Solaris and expose complex specters of the past, Narkevičius combines the new footage and a series of photos from 1905 taken by the Lithuanian painter and composer Mykolojus Konstantinas Čiurlionis.
The astronaut Chris Kelvin receives a visit from a woman who is a double of his dead wife. This story, told in Stanislaw Lem’s eponymous novel, was once adapted into the film Solaris by the legendary Russian film director Andrei Tarkovsky. According to Deimantas Narkevičius, Tarkovsky was not as critical of the increasing impact of electronic media on relationships and on the complex nature of human memory as Lem, the original author of the story. In this video, the actor Donatas Banionis reappears in his role as Kelvin, forty years after Tarkovsky’s film was shot. Revisiting Solaris is based on the last chapter of Lem's book, which had been left out of Tarkovsky’s adaptation. In order to visualize the landscape of Solaris and expose complex specters of the past, Narkevičius combines the new footage and a series of photos from 1905 taken by the Lithuanian painter and composer Mykolojus Konstantinas Čiurlionis.
Director
The astronaut Chris Kelvin receives a visit from a woman who is a double of his dead wife. This story, told in Stanislaw Lem’s eponymous novel, was once adapted into the film Solaris by the legendary Russian film director Andrei Tarkovsky. According to Deimantas Narkevičius, Tarkovsky was not as critical of the increasing impact of electronic media on relationships and on the complex nature of human memory as Lem, the original author of the story. In this video, the actor Donatas Banionis reappears in his role as Kelvin, forty years after Tarkovsky’s film was shot. Revisiting Solaris is based on the last chapter of Lem's book, which had been left out of Tarkovsky’s adaptation. In order to visualize the landscape of Solaris and expose complex specters of the past, Narkevičius combines the new footage and a series of photos from 1905 taken by the Lithuanian painter and composer Mykolojus Konstantinas Čiurlionis.
Director
The Role of a Lifetime raises questions about the ethical and social responsibilities of the artist and about the relationship between cinematic representation and historical record. Narkevicius's film emphasises the value of doubt and the impossibility of objectivity, while providing an intimate portrait of one of Britain's most distinguished and original filmmakers, Peter Watkins.
Editor
"The film Energy in Lithuania is a documentary study of an industrial installation (an electric power plant), which includes conversations with people who have worked there. Although the power plant is functioning, it has now become like a museum of industrial thought. Still, the livelihood of thousands of people depend on it. It will not be easy to reform industrial society. The biggest challenge is to find a credible intellectual replacement for positivist industrial romanticism." - Deimantas Narkevičius
Sound
"The film Energy in Lithuania is a documentary study of an industrial installation (an electric power plant), which includes conversations with people who have worked there. Although the power plant is functioning, it has now become like a museum of industrial thought. Still, the livelihood of thousands of people depend on it. It will not be easy to reform industrial society. The biggest challenge is to find a credible intellectual replacement for positivist industrial romanticism." - Deimantas Narkevičius
Director
"The film Energy in Lithuania is a documentary study of an industrial installation (an electric power plant), which includes conversations with people who have worked there. Although the power plant is functioning, it has now become like a museum of industrial thought. Still, the livelihood of thousands of people depend on it. It will not be easy to reform industrial society. The biggest challenge is to find a credible intellectual replacement for positivist industrial romanticism." - Deimantas Narkevičius
Director
A summer afternoon before a storm. In an 1890’s interior, elderly manor governor warns how faeries come out of the lakes to mingle among people in such a weather. On his way to meet a fellow fiddler, reed-pipe player is taken aback by two girls talking about afterlife. One of them tries to cure her snake-bitten friend. Meanwhile, as they travel, both musicians begin to observe uncanny events, unable to discern fantasy from reality. In the farmhouse, visited by faeries, women spin yarn, while in the manor’s park, rich folks view stereoscopic pictures telling boastful stories. All of a sudden, the poisoned woman dies. The healer-girl sees her deceased friend walking with the musicians. She asks if the neighbours noticed, but they did not. The deceased whispers she would have said «what it’s like» after death, had her friend kept a secret. Ultimately, all gather for the funeral where archaic rituals intertwine with the practice of marrying a dead girl to an “afterlife groom".
director
A “reenactment” of something that has never happened but was planned and prepared to the smallest detail: the launch of a nuclear rocket from the Soviet Union.
Editor
The disintegration of the Soviet Union and the failure of Communism has been symbolically documented by many tv reportages of removals of monumental public sculptures, but the citizens of Vilnius in Lithuania did the unexpected!
Director
The disintegration of the Soviet Union and the failure of Communism has been symbolically documented by many tv reportages of removals of monumental public sculptures, but the citizens of Vilnius in Lithuania did the unexpected!
