Writer
A young couple buys a rotten house with the intention of turning it into their dream home. But the more the renovations progress, the more their life turns into a nightmare. Bungalow is a comedy-drama about the financial, social and sexual anxieties that millennials experience in our performance society.
Director
A young couple buys a rotten house with the intention of turning it into their dream home. But the more the renovations progress, the more their life turns into a nightmare. Bungalow is a comedy-drama about the financial, social and sexual anxieties that millennials experience in our performance society.
Screenplay
In a tiny house in the town of Destor, near Rouyn-Noranda on Highway 101 North, Scott, a repeat ex-con in his fifties, lives quietly with Jessie, his girlfriend 23 years his junior. He spends his time meditating and doing 3D puzzles while Jessie spends hers collecting dolphin figures, dancing to “Summer Love” and smoking weed. Wanting to make a documentary on Scott’s social reintegration, social worker Anick moves in to their house for a few days. While the shoot starts off smoothly, with several funny and touching interviews of Scott and Jessie, things quickly derail. Anick seems more interested in Jessie than Scott. The documentary’s subjectivity is quickly replaced by a growing attraction between Anick and Jessie. The continuous presence of the filmmaker in the enclosed space, coupled with the exasperation Scott feels at being constantly recorded, is causing the pressure to escalate. Scott could lose it at any time.
Director
In a tiny house in the town of Destor, near Rouyn-Noranda on Highway 101 North, Scott, a repeat ex-con in his fifties, lives quietly with Jessie, his girlfriend 23 years his junior. He spends his time meditating and doing 3D puzzles while Jessie spends hers collecting dolphin figures, dancing to “Summer Love” and smoking weed. Wanting to make a documentary on Scott’s social reintegration, social worker Anick moves in to their house for a few days. While the shoot starts off smoothly, with several funny and touching interviews of Scott and Jessie, things quickly derail. Anick seems more interested in Jessie than Scott. The documentary’s subjectivity is quickly replaced by a growing attraction between Anick and Jessie. The continuous presence of the filmmaker in the enclosed space, coupled with the exasperation Scott feels at being constantly recorded, is causing the pressure to escalate. Scott could lose it at any time.
Script
Audrey and David wash their dirty linen in public while debating the question : "How much is too much?"
Director
Audrey and David wash their dirty linen in public while debating the question : "How much is too much?"
