Yevgenia Slovtsova

A talented girl is trying to find happiness amidst the Russian revolution of 1917 and the civil war that split the nation.

Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994. Dmitri Shostakovich also wrote the screenplay for the screen version of Katerina Izmailova.

Paris, the middle of the XIX century. Young Marius Petipa is going on a long journey to St. Petersburg, where he is invited to become the first dancer. He doesn't know that his life will develop both happily and dramatically, and his work will be the glory and pride of Russian ballet.

Screen adaptation of Tchaikovsky's opera based on the Aleksandr Pushkin short story of the same name.

Based on the novel of the same name by Veniamin Kaverin. From childhood, Sanya Grigoryev was able to achieve success in any business. He grew up a courageous and brave man. The dream of finding the remnants of Captain Tatarinov’s expedition led him to the ranks of polar explorers. The life of Captain Grigoryev is full of heroic events: he flew over the Arctic, fought against the Nazis. He was in danger, had to endure temporary defeats, but the hero’s persistent and purposeful character helps him to keep his vow made to himself in childhood: “Fight and seek, find and not give up.”

Taken from a Lermontov play, Sergei Gerasimov's Maskarad (1941) begins when beautiful Nina (Makarova) loses a bracelet during a masked ball. Another woman finds it and without revealing whose bracelet it belongs to, she gives it to an ardent Calvary officer admirer at the ball. This leads to deeper and deeper incisions upon the urbane social body of Tsarist Russia. A drama of pride, marital distrust, gambling, infidelity and humiliation twirls around the decaying corpse of a perverted social class.