Yutaro Nakamura

Sanae (An Ogawa) is a high school girl preparing to take university entrance exams. She isn't very good at socializing. She wants to hurry up and become an adult, but it isn't going very well. Over summer vacation, Sanae's sister comes home from college in Tokyo, and her parents decide to hire a housekeeper. Yusuke (Hoshi Ishida), is rough around the edges and a little scary. The people close to him find him a mystery. As Sanae gets to know him, she begins to feel they have something in common. A journey through sweet love and bitter memories.

This is the question posited by director Nakamura Yutaro at the start of his latest film, a series of vignettes that bleed into each other. Memories? dreams? Whatever they are, they belong to highschooler Hikari who, along with a friend named Yujiro, get involved with an emotionally unstable man named Takaya. Flash-forward a decade or so and they are all 20-somethings bumbling around on New Year’s Eve night. Hikari has picked up an admirer, Kotaro, while Takaya is shacked up with a young woman named Anzu. A tumultuous night together leads to a quarrel and a truly bizarre New Year’s Day. It’s not a straightforward experience as we surf through these experiences and question whether they are imagined but the feeling of airy freedom and endless possibilities at the end is pleasant.

This is the question posited by director Nakamura Yutaro at the start of his latest film, a series of vignettes that bleed into each other. Memories? dreams? Whatever they are, they belong to highschooler Hikari who, along with a friend named Yujiro, get involved with an emotionally unstable man named Takaya. Flash-forward a decade or so and they are all 20-somethings bumbling around on New Year’s Eve night. Hikari has picked up an admirer, Kotaro, while Takaya is shacked up with a young woman named Anzu. A tumultuous night together leads to a quarrel and a truly bizarre New Year’s Day. It’s not a straightforward experience as we surf through these experiences and question whether they are imagined but the feeling of airy freedom and endless possibilities at the end is pleasant.

Takaya and Sakura have been living in the same apartment splitting the rent. But Sakura wants to move out of there as soon as possible. In addition, Takaya was recently fired from his part-time job, so Sakura has to work harder, even more when Takaya is not motivated to do anything.

Takaya and Sakura have been living in the same apartment splitting the rent. But Sakura wants to move out of there as soon as possible. In addition, Takaya was recently fired from his part-time job, so Sakura has to work harder, even more when Takaya is not motivated to do anything.

한쪽 다리가 불편한 오빠 요시오와 지적 장애가 있는 동생 마리코, 두 남매가 한 항구 마을에 살고 있다. 어느 날, 마리코는 집을 나가고 그녀를 찾던 요시오는 한 낚시꾼의 전화를 받는다. 요시오는 낚시꾼의 보호를 받고 돌아온 마리코의 바지 주머니에서 1만 엔 지폐를 발견한다.

Aki was practically born and raised in a mahjong parlor. At the age of 15, she goes to Tokyo during winter and although she is knocked around by the harshness of the big city, she is determined to survive by the one-and-only weapon she possesses: mahjong. However, standing in Aki's way are unscrupulous adults and the realities of city life.

Aki was practically born and raised in a mahjong parlor. At the age of 15, she goes to Tokyo during winter and although she is knocked around by the harshness of the big city, she is determined to survive by the one-and-only weapon she possesses: mahjong. However, standing in Aki's way are unscrupulous adults and the realities of city life.

Not satisfied with his achievements as a child actor, Yat (Kaito Yoshimura) is now pursuing his dream to be a musician. His high school friends Takuma (Kodai Asaka), a photographer, and Yumika (Yukino Kishii), Takuma's ex, are also feeling discontent with their lives and with thoughts they cannot tell each other. With unforgettable singing by Yoshimura and vivid performances by up-and-coming stars, director Yutaro Nakamura has created a raw, "now-or-never" film.