Azul Serra

In the sequel to Turma da Mônica: Laços, we follow Mônica, Jimmy Five, Maggy and Smudge dealing with the consequences of a mistake made at school. At the same time, they face transformations from childhood to adolescence and are about to discover the value of friendship.

With the world in suspension Dante meets Ava, a woman who offers him her affection to facilitate his crossing over to the other side.

헥터 바벤코는 아르헨티나 출신이지만 브라질에서 주로 활동한 감독으로, 지난 2016년 사망했다. 이 다큐멘터리는 죽음을 직감한 바벤코가 아내이자 영화적 동반자인 바르바라 파스에게 연출을 부탁해 만든 것으로, 그의 모든 것을 담고 있다. 암 투병을 하면서 맞이했던 마지막 날들의 고통스러운 기록이 뼈대를 이루고, 그가 만든 영화에 관한 회고, 그와 함께했던 동지들에 대한 기억, 그리고 죽음에 대한 생각 등이 어우러진다. 이 영화는 한 감독의 일대기이자 한 인간의 상념을 기록한 유언장이며, 자신의 죽음에 관한 영화를 기획한 제작자의 마지막 걸작이다.

Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.

Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.

In the 1990s, two brothers were accused of murdering eight women, one man and one child in the Serra dos Órgãos region. In the eyes of the suspects, Sergeant Téo realizes that the trial of the press, police and local society is fundamentally racist, and begins to have doubts about the conviction of one of them. Based on a true story, the film is a work of fiction about the famous case of the "Necrophil Brothers."

Fluffy, Jimmy Five's pet dog, vanished. He develops an infallible plan to rescue the little dog, but, he will need help from his faithful friends: Monica, Maggy and Smudge. Together, they will face challengers and live incredible adventures to get Fluffy back home.

Rio 2016 official film, "Days of Truce" is an original portrait of the Brazilian experience in hosting the Games and a powerful manifesto that explores how the Olympic values are relevant in our modern society.

Rubens is a carefree, charismatic swimming instructor who finds himself accused of displaying inappropriate affection toward one of his students by the boy's mother. Other parents and colleagues are only too eager to condemn him.

‘훌리오’는 평범하고 화복한 농촌 가정에서 자란 독실한 기독교인이다. ‘훌리오’의 유일한 고민은, 브라질의 여느 시골 청년들과 같이 앞으로 먹고 사는 문제였다. 그러던 어느 날. 도시에서 경찰 일을 하는 삼촌 ‘시세로’에게 일을 소개받은 ‘훌리오’는 경찰 제복을 입을 거란 꿈에 부푼 채 도시로 올라간다. 그러나 ‘시세로’에게 처음 소개받은 일은 일면식도 없는 남자를 살해하는 데 가담하는 것. 얼떨결에 휘말린 ‘훌리오’는 ‘시세로’에게 절대 이런 일은 못 한다고 펄쩍 뛰었지만, 절대 만질 수 없을 거금의 유혹에 ‘훌리오’는 점점 사람을 죽이는 일에 익숙해지고. 어느 날 청부업자 일을 하기 위해 들른 마을에서 만나게된 ‘마리아’에게 한눈에 반해 평범한 가정을 꾸리게되고, 가족들에겐 평범한 경찰이라고 거짓말한 ‘훌리오’는 여전히 이중적인 가면을 쓰고 살인 청부업자 일을 계속 한다. 하지만 한편으로 살해한 이들을 회상하고 양심의 가책을 느끼는 ‘홀리오’. 그러던 어느 날 삼촌 `시세로`에 대한 충격적인 비밀을 알게 되는데…

Berenice is a dedicated female taxi driver in Rio de Janeiro. She is consumed by her job and the little free time she has needs to be divided between raising her son Thiago, a teenager exploring his sexuality, and her troubled relationship with her husband Domingos, a police reporter. The scars of the worn-out relationship, ruined by her husband's violent outbursts, have erased her femininity and led her into a great existential emptiness. The murder of Isabelle, a beautiful transgender woman, on Copacabana Beach, ignites her investigative side and transforms her life.

A young woman who has recently moved from Lebanon to London attempts to unravel the startling mysteries of her dreams and whether or not they could be reality.

Batista and Maria form a couple who, apparently, are very happy in their marriage. However, the truth is that appearances deceive and much; in the background, Batista, an inveterate alcoholic and Maria, who has an affair with her eldest daughter's boyfriend, Emilia, represents a family on the edge of the ruins.

In a place taken by poverty, Aparecida lives full of dreams and hope. While her husband leads a bitter life caused by a tragedy from the past, she decides to take an attitude that can change everything: to leave for the big city.

The documentary seeks to contribute to the construction of the memory of the World Cup in Brazil, in 2014, launching a reflection on the multiplicity of possible views about the phenomenon of this event and generating a historical document on the relationship between politics and football in the country.

A photographer turned paparazzi is caught in the downward spiral of a fabricated tabloid story.

Kerry is a train driver and on sick leave due to a trauma at work. While roaming the train network to make sense of her tragedy she meets a man who understands her and knows what she needs.