Who are the young people who are involved in the "Fridays for Future" movement and who relentlessly take to the streets for environmental and climate protection? What are their life like and how will their activism be influenced or changed by current events in 2020 and the coronavirus pandemic? The documentary accompanies them and shows how diverse, creative but also exhausting the protest work is, in that the filmmakers impressively tell of the fears, dreams, successes and defeats of the young people portrayed.
Following Landstück (2016), Volker Koepp's documentary Seestück is about the magical, natural setting of the Baltic Sea, its coasts and its people – including fishermen, seamen, scientists and young people on both the Baltic and Scandinavian shores. Conversations meander from Caspar David Friedrich to Copernicus, Rousseau and Kant, or simply life itself. Present concerns address the sea's threatened ecosystem and political frictions among the neighbouring countries. One universal truth applies for the small Baltic Sea too: The landscape is a window to the world.
젊은 독일 여성 마리는 자신의 삶을 변화시키기 위해 후쿠시 마로 도망치듯 떠나온다. 클라운즈 포 헬프(Clowns4Help) 라는 단체와 함께 일하며 2011년 후쿠시마 원전사고의 생존 자들에게 기쁨을 전해줄 수 있길 바란 것이다. 마리는 오래 지나지 않아, 자신이 그 비극에서 고달픔을 덜어내는 임무에 전혀 적합하지 않다는 것을 깨닫게 된다. 하지만 마리는 거 기서 도망치기보다 성미가 고약한 사토미라는 이름의 노인 과 함께 지내기로 결정한다.
(2016년 제18회 서울국제여성영화제)
The end moraines of the Uckermark have kept Volker Koepp busy for decades. Following the socio-historical "Uckermark", he devotes himself in "Landstück" even more intensively to conveying the sensory experience of this sparsely populated, ecologically fascinating region between Berlin and the Baltic Sea.
