Ville Piippo

Daisy, a young soldier in the anti-terrorism brigade, patrols the city with her two team members. Then suddenly, an explosion stops her in her tracks. She is in shock. Around her, no trace of life. Until a strange child appears and proposes to take her to her missing colleagues.

An unusual bandit trio spends autumn in a village by Lake Maggiore. In their holiday apartment they create a parallel world, which little reflects their surroundings. As the pressures of the outside world begin to weigh in on them, they kidnap a tourist in order to give their lives a purpose.

December 1919. The American government deports 249 anarchists and radicals on the “Soviet Ark”. Five years later, this same ship becomes the decor of Buster Keaton’s slapstick comedy “The Navigator”.

The work is composed of two separate films followed by each other. Both films explore transcendental issues through archaeological and illegal excavations of tombs.

In 2018 the murder of Saudi journalist Jamal Khashoggi, referred to in the film as Mr. K, captured the world’s attention as little by little, snippets of his fate became public. What started out as a mysterious disappearance at the Saudi consulate in Istanbul, slowly spiraled into an elaborate web of lies, and ultimately, a horrific murder. The news was particularly disturbing as it seemingly happened at the behest of Saudi Arabia’s crown prince, prompting many world leaders to step into the ring and voice their condemnation, including the US president, “Mr. T”.

Samuel Beckett made a single work for projected cinema. The film ‘Film’ was shot in New York in the summer of 1964. Beckett needed one street scene for the opening of the film, and he wanted that street image to be shot in a street that he described as ”absolute street”.

What if waste suddenly became huge? When we discover that underneath an orthodox church (in Helsinki) there is a world data server, which uses recycled water to cool itself, we confirm that nothing is what it seems. From here we start a trip around the world, passing through South Korea, Ghana and Turkey. The constant exclamation “How Great” becomes part of our lexicon, to amaze us, always. The world seen through the evocation of waste can only make the world alert. Come back Greta!

A documentary consisting of six chapters.

this film revisits the history of the City in twenty minutes through twelve cemeteries and one landfill. The short documentary is the fourth, independent episode from the ten-part Waste series. 

Le radeau de la Méduse parallels the wrecked boats of the African immigrants on the Italian Lampedusa island and the abandoned cars of asylum seekers that have traveled from Russia to Salla, Finnish Lapland with Théodore Géricault's painting The Raft of the Medusa (1818-1819), located in Louvre. Based on true events, the subject of the painting is the 1816 shipwreck of Méduse, a frigate with administrative personnel on their way from France to African colonies. The passengers of the ship rescued on a raft they built and left drifting on the open sea with fatal consequences.

Arr. for a Scene is a documentary of two foley artists while they are producing sounds for one of the most famous scenes in the history of film: the shower scene from Alfred Hitchcock’s Psycho, 1960.

The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.