Thomas Jenkoe

참여 작품

The Last Hillbilly
Director of Photography
Kentucky. For decades, Brian Ritchie's family has been living in the heart of the Appalachians. But the mines have been shut down, with nothing to replace them. Caught between a mythical past and an indiscernible future, Brian is one of the last witnesses of a vanishing world, that inspires his poetry.
The Last Hillbilly
Writer
Kentucky. For decades, Brian Ritchie's family has been living in the heart of the Appalachians. But the mines have been shut down, with nothing to replace them. Caught between a mythical past and an indiscernible future, Brian is one of the last witnesses of a vanishing world, that inspires his poetry.
The Last Hillbilly
Director
Kentucky. For decades, Brian Ritchie's family has been living in the heart of the Appalachians. But the mines have been shut down, with nothing to replace them. Caught between a mythical past and an indiscernible future, Brian is one of the last witnesses of a vanishing world, that inspires his poetry.
In the Open
Producer
About roughly 130 men are imprisoned in the Detention Center of Casabianda, Corsica. Most of them were convicted of child abuse. The inmates spend their last few years of imprisonment working the fields of this wide agricultural domain.
Memories from Gehenna
Producer
Ten years after the Grande-Synthe racist homicide, we trace the murderer's footsteps. The sound design weaves in a voiceover linking architecture to discourse, past the news item itself.
Memories from Gehenna
Cinematography
Ten years after the Grande-Synthe racist homicide, we trace the murderer's footsteps. The sound design weaves in a voiceover linking architecture to discourse, past the news item itself.
Memories from Gehenna
Screenplay
Ten years after the Grande-Synthe racist homicide, we trace the murderer's footsteps. The sound design weaves in a voiceover linking architecture to discourse, past the news item itself.
Memories from Gehenna
Director
Ten years after the Grande-Synthe racist homicide, we trace the murderer's footsteps. The sound design weaves in a voiceover linking architecture to discourse, past the news item itself.
Maàlich
Director
Liquidation
Executive Producer
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.