Nicolás Payueta

Eve and Adam meet in Eden. It soon becomes apparent that they don’t find each other particularly attractive. But do they have a choice? Writing helps. They each start keeping a diary about this first encounter between two human beings — from very different perspectives, as one might imagine. And as they get on each other’s nerves and recount terrible things about each other, they discover an unexpected new emotion: love.

임시직을 전전하는 세바스티안은 그의 개에게 헌신적인 30대 평범한 남성이다. 그는 평범한 성인들의 삶의 리듬대로 사랑, 이별, 결혼, 그리고 부모 되기 등의 단계를 밟아 나간다. 자신이 할 수 있는 최선을 다해 세상에 적응하기 위해 노력해 온 세바스티안에게 생의 순간순간은 풀어야 할 숙제의 연속이다. 그러던 어느 날, 알 수 없는 바이러스가 전파된다. 이 바이러스에 오염된 공기는 인간의 상체 부근에 머물며, 보호장비 없이 그 공기를 마신 사람들을 죽인다. 이제 사람들은 우주인을 연상시키는 유리구를 머리에 쓰고서만 직립 보행을 할 수 있다. 하지만 높은 가격대로 인해 세상은 유리구를 갖춘 사람들이 직립 보행을 하는 세상과 유리구가 없는 사람들이 쪼그리고 앉아 보행하는 세상, 둘로 나뉜다. 이 영화는 풍부한 반추적 은유들을 통해 부의 양극화가 더욱 심화되고 있는 코로나 팬데믹 시대의 평범한 사람들의 쓸쓸한 자화상이 된다.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

Ramira returns to the Misiones rainforest from where she ran away after the birth of her son. Her efforts to rebuild the bond with her mother and her son, who does not recognize her as his mother, are complicated. Her family questions her abandonment of the child and fights with her over the deceased father's inheritance. The child struggles between two mothers, while Ramira seeks to find a sense of reinsertion in the middle of a labyrinth of hybrid languages and customs.

A city department is the scene of confluences of relationships, where the intimacy of a couple and the public sphere of work are confused and converge.

아르헨티나의 폐쇄적 부촌에서 벌어지는 상황을 보여주는 이 작품은 가정부로 일하는 벨렌의 시선을 통해 다가간다. 벨렌은 나체 클럽을 발견하게 되고, 그 모습을 통해 중산층 가족의 위기와 부조리함이 펼쳐진다. 대부분의 배우가 영화 내내 나체로 연기해야 하는 상황이었고, 실제 나체주의자들이 함께 촬영을 하여 현실과 영화의 경계를 넘나드는 과정도 흥미롭다. 이 작품은 아르헨티나 사회에 대한 우화이기도 하다. 곳곳에 경비시설을 갖춘 부촌과 나체주의자 클럽을 교차하면서 두 그룹 간의 간극을 통해 인간 사회 군상에 대한 질문을 던진다. 중산층의 삼엄함과 나체주의자들의 자유로움은 마치 동전의 양면처럼 한 사회를 구성하는 서로의 이면이다. 그 긴장감을 통해 루카스 발렌타 리너 감독은 집단을 이루고 있는 이데올로기의 허구성과 위선을 폭로해 간다.

While she faces the tough idea of breaking up with her boyfriend, Emilia moves to a downtown apartment. Among boxes and packed stuff, almost by chance, she starts living the life of the former tenant.

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.