Self
Documentary with interviews and clips of Fellini's movies.
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In 1944 in Tuscany, a group of boxers facing the disasters of the Second World War, during the intrusive presence of the Germans and the Americans, organizes rigged matches to make some money and travel from town to town, hoping to participate in local fairs. A young black American soldier, believed missing, and a girl who refused to marry accompany the ramshackle group.
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Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
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One of the key factors in Italian unification was the overthrow in 1860 of Francesco, the King of Naples and the two Sicilies, who went into elegant but impoverished exile in Rome with his Queen, Maria Sofia. This seriocomic drama follows the deposed royals as they adapt to their new lives. The former king has recognized the political finality of his deposition, but his queen has taken to traveling in men's clothing all over Italy trying to foment an uprising to restore them to the throne. She is also frantic to have a baby, an heir, but the king has become celibate as a kind of homage to his beloved mother; he spends all his time lobbying the Vatican to get her declared a saint.
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The adventures of a couple of scoundrels in the Spain of the 16th century.
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Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by there he is able to build, step by step, an empire founded on murders and drugs. He starts a war to destroy all the old Camorra bosses and becoming the new "boss of the bosses". With his sister's help he manages to evade from prison and escape in New York. Here he starts immediately a new relationship with "Cosa Nostra" (Italian American Mafia). He is going to seat on the peak of the most powerful criminal organization, and the Italian authorities are almost impotent.
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A series of skits involving customers and store personnel from several departments of the big department store.
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Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.
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두 남자의 15세기로 시간여행
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The marquess of Grillo is a good-natured, clever and women-loving man who is always inventing stories and cracking all types of jokes. The film tells the story of his life.
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After the Allies liberate Naples in 1943, life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive.
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In a farmhouse in southern Italy, an old woman dies. Her husband summons their sons: from Rome, Raffaele, a judge facing a political case for which he risks assassination; from Naples, the religious and ideological Rocco, a counselor at a correctional institute for boys; from Turin, Nicola, a factory worker involved in labor disputes. Once home, each encounters the past and engages in reveries of what may come.
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비싼 와인과 음식이 가득한 테이블이지만 실상은 비어있다. 쇠퇴하는 진보 지 식인들이 초상, 특정 사회 계층의 행동에 관한 달콤 쌉쌀한 이야기에 여전히 현대적인 분위기, 우울, 친절, 열광이 담겨있다.
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Raoul has best chances to become next boxing champion in light-heavy weight. For a bet he tries to beat through a door with his bare fist. He wins the bet, but his hand is broken, his career ruined. He starts working on a fair; there he meets Hurricane Rosy the first time. When he sees her the next time, she's star of Mike Fernando's women wrestling show. They passionately fall in love, but their their love must survive her rising fame and his violent jealousy
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A factory worker known for his tough attitude and for fighting for workers' rights starts losing credibility when friends and co-workers see him helping a young gay man.
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In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).
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파시즘이 팽배한 1935년의 이탈리아를 배경으로, 남부 에볼리 근처의 작은 마을에 의사로 보내진 카를로 레비의 눈을 통해 현지 농부들이 고립과 가난 속에서 질병과 싸우며 살아가는 참상을 묘사한 작품. -daum 영화
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American actress on vacation in Italy falls for her friend's married Italian lover.
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Annalisa is married to Marco, a journalist too busy with her career, who neglects her even though she loves him deeply. He therefore decides to find another husband, the university professor Antonio, who marries without the first being able to notice it. Until she gets pregnant. David di Donatello 1979 for Monica Vitti.
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Ugo is an old actor who feels too young to be in an "old actor's house". He just can't stand the rules of the other old people so he escapes with a young girl.
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Maurizio Merli stars as a hot-shot police driver who has more guts than brains, often landing him in hot water with his middle-aged mentor, who was once a legendary police interceptor responsible for numerous large scale arrests.
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이탈리아의 부호 프란체스코 두치와 갓 결혼한 버지니아는 어릴적, 다른 곳에서 엄마의 투신 자살을 목격한 천리안의 소유자이다. 그녀는 터널 안을 운전하다 여러 장면이 나타나는 환영을 보게 되는데, 우연히 그 환영과 일치하는 두치의 버려진 농가 저택의 벽속에서 여자의 시체를 찾아내고 남편은 범인으로 몰린다. 남편의 무죄를 증명하기 위해 친구인 초심리학자, 루카와 환영 속 장면들을 찾아 다니던 그녀는 점차 그 환영이 자기가 생각했던 것과 다르다는걸 알게 되는데...
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When World War II breaks out, two German lovers are cruelly separated. While he is sent to fight at the front, she, a Jewish girl, is sent to a concentration camp where humiliation and death have been elevated to a sinister art.
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Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
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Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.
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아메리고 로가스 형사(리노 벤추라)는 우연히 한 검사의 의문의 살인 사건에 대한 조사를 맡게 된다. 이후 연쇄적으로 저명한 판사들이 살해를 당하게 되는데 그럴수록 사건은 점점 미궁 속으로 빠져든다. 로가스 형사는 수사를 더 진행하면서 이 사건의 배후에 거대한 이탈리아 공산당 정계와 군부 실세들의 음모가 도사리고 있음을 알게 된다. 더불어 앞서 일어난 살인 사건들이 사실은 거대한 빙산의 일각일 뿐임을 직감하게 된다. 그렇게 로가스 형사는 거대한 음모 속으로 점점 빠져들어 간다.
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This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
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검의 달인 디에고는 여관에서 옛 친구 미겔와 재회한다. 미겔은 스페인 령 누오바 아라곤(Nuova Aragon)의 새로운 총독으로 임명 된 것, 그리고 그 땅의 사람들을 자신의 힘으로 돕고 싶다는 이상을 말한다. 디에고는 이상만 말하는 그에게 쓴 소리를 하지만 그날 밤 여인숙에 도적이 나타나 미겔은 목숨을 빼앗기고 맙니다. 디에고는 죽가 직전의 미겔에게 그의 이상을 인수 할 것을 맹세하지만, 그는 그것뿐만 아니라 “검으로 사람을 죽이지 않는다”는 것도 디에고에게 맹세하게 한다. 이렇게 디에고는 미겔의 이름을 빌려 Nuova Aragon 땅에 총독으로 부임 하지만 그 땅은 Huerta 대령이 이끄는 스페인 군에 의해 지배되고, 가난한 농민들은 부당하게 억압했다. 그 현상을 보고 분노에 가진 디에고는 정의의 영웅 ‘조로’가 되고 악한들을 퇴치 해 나가기 시작한다.
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Felice Della Pietà is indifferent to money and the turbulences of life. His wife Sylvia simulates suicide in order not to live in poverty with him.
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50 year old Giulio (Tognazzi) and his 17 year old goddaughter, Vincenzina (Muti) fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and Vincenzina upon a return from a trip. His jealousy and anger get the best of him and he kicks his wife out of the house. Years pass and Giulio decides to rekindle the lover affair with Vincenzina
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There's trouble in Frankie Diomede's criminal empire in Genoa. A French gangster has moved into his territory, so he flies home to take care of business. He promptly has himself arrested so that he'll have the perfect alibi when the bodies start piling up. But it turns out his enemies have enough juice to keep him in prison, his associates start dying and the attempts on his life start. Cue Tony Breda, a wannabe wiseguy, who has a plan to spring Frankie from jail.
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In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz.
But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out.
Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.
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A woman is fatally stabbed in bed, a prostitute is battered into oblivion and a female painter is strangled with a telephone cord. Another woman, Giulia, who is on her honeymoon, is attacked in a train carriage but the killer flees when her husband Mario comes to the rescue. In spite of his protestations to the police, Mario is accused of being the murderer. He sets out to prove his innocence by conducting his own enquiries. In the meanwhile, a woman in an insane asylum is drowned in a bath and another female victim is power-drilled to death...
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On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
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After many years of living abroad, a troubled young man returns home due to the death of his father (who he suspects was actually murdered). He attempts to untangle that mystery while still carrying an unhealthy obsession toward his mother, who committed suicide ten years ago. This obsession then draws in his attractive cousin and takes a sexual turn.
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June 1942. As Rommel swept toward the Nile, the fall of Egypt and the capture of the Suez Canal seemed inevitable. Italian and German advance units raced toward Alexandria. Mussolini had given explicit orders: The Italians must arrive first!
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A man (Carmelo Bene) can not bear to be part of society. He considers himself a "jerk" and so invents its own philosophy, which involves the destruction of his land of Puglia where all citizens are devoted to the Catholic religion. However, the man can not destroy the belief of the pilgrims of Salento, because a woman would prevent that. It is an unknown "Santa Margherita", which tries to divert man from his weird and impossible philosophy. Successive scenes of the film show various situations unreal and dream in which the two protagonists try to obtain the best one on the other. After a blasphemous dialogue between monks, the man includes his whole philosophy in a Moorish building. In fact, this seems to have been the scene of the massacre of the famous 800 Martyrs of Otranto, which are considered by the scetic man the absolute death of Christianity.
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