Stephen Winter

Far from Earth, tensions escalate between a feuding astronaut couple (Gnosis and ZanFagna). A video transmission from John Cameron Mitchell pushes them toward escaping the ship-- and each other. "Nation of One" is written by John Cameron Mitchell and Stephen Trask (creators of Hedwig and the Angry Inch) and will be found on part two of the benefit album "New American Dream" by John Cameron Mitchell and Friends.

A misanthropic 20-something gay visual artist, Mark, finds himself unwittingly in New York City after he lies to his mother about a job at a prestigious art gallery. He then takes a survival job babysitting for 6-year-old Milo, whose faith in Mark is empowering and ultimately, transformative.

Based on a true story, Jason and Shirley recreates the 1966 power struggle between Jewish, Oscar-winning documentary filmmaker Shirley Clarke and her subject, Jason Holiday, a fierce black gay queen over a 12-hour marathon filming session which gave rise to Clarke's iconic documentary Portrait of Jason.

Based on a true story, Jason and Shirley recreates the 1966 power struggle between Jewish, Oscar-winning documentary filmmaker Shirley Clarke and her subject, Jason Holiday, a fierce black gay queen over a 12-hour marathon filming session which gave rise to Clarke's iconic documentary Portrait of Jason.

아름다운 뱀파이어 듀나는 인간 남자와 사랑에 빠져 그를 뱀파이어로 만든다. 하지만 치명적인 매력을 지닌 듀나의 동생 미미가 등장해 그들의 평화로운 일상을 깨뜨리는데…

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A reserved young man meets an impulsive stranger on a secluded beach. Their brief friendship leaves each subtly changed.

The life and times of Baltimore film maker and midnight movie pioneer, John Waters.

Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister.

Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister.

Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister.