Marc Lizier

참여 작품

The Quest for Tonewood
Sound Re-Recording Mixer
Gaspar, a luthier, wants to make a violin from the wood of a tree so rare that it may or may not exist anymore.
The Quest for Tonewood
Sound Designer
Gaspar, a luthier, wants to make a violin from the wood of a tree so rare that it may or may not exist anymore.
아너+ 더 무비
Sound Designer
암스테르담에 사는 20대 동성애자 아너. 소설을 완성하고 연인을 위해 몬트리올로 떠나야 하는 상황. 이러한 부담감 속에서 아너는 진정으로 원하는 삶의 방향을 찾을 수 있을까?
Sisyphus at Work
Sound Designer
Kala azar
Sound Designer
A young couple employed by a pet crematorium finds fulfilment in respectfully removing cadavers. Their love blossoms in an environment where the boundaries between human and animal are fading. When they hit a stray dog, their relationship starts to derail.
Meet the Censors
Sound Designer
From a Kafkaesque office for social media in Germany and on to Sudan, and to conversations with an Iranian Ayatollah, an Indian film censor and critical journalists in China. The Norwegian Håvard Fossum has travelled the world to understand what censorship is, and how censors work, both in theory and in practice.
Meet the Censors
Sound Re-Recording Mixer
From a Kafkaesque office for social media in Germany and on to Sudan, and to conversations with an Iranian Ayatollah, an Indian film censor and critical journalists in China. The Norwegian Håvard Fossum has travelled the world to understand what censorship is, and how censors work, both in theory and in practice.
The Death of Antonio Sànchez Lomas
Music
On All Saints’ Day, the Spanish pay tribute to their dead: a day of reverence and remembrance. Nevertheless, beneath the serene surface lie unhealed grief, thundering silence and ever-burning political conflicts. In the southern Spanish village of Frigiliana, time has not healed the wounds from the Franco era. Even now the murder of a villager in 1952 divides the community.
Punks
Sound Designer
The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.
인스턴트 드림스
Music
폴라로이드 필름이 생산중지된다는 소식을 듣고 떠나는 아티스트 스테파니 슈나이더 (Stefanie Schneider)의 사진여행 이야기
How to Meet a Mermaid
Music
In How to Meet a Mermaid, the sea becomes a haven for mankind, locked in its struggle with its 'indifferent universe'. Lex, Rebecca, and Miguel each have their own reasons to lay their lives in the hands of the capricious waters. The question remains, however, whether they will find what they so anxiously seek underneath the surface of the waters.
After the Tone
Sound Editor
How do you deal with the fact that someone close to heart has suddenly disappeared without a trace? Can you go on living whilst waiting for his return?
디 아더 사이드 오브 슬립
Original Music Composer
Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene, a young factory worker living alone in a rural Irish community.
Breath
Sound Post Supervisor
A 12-year-old boy who is yet to feel the first trembles of love. He is shy when a girl calls him for a bike ride and then at the beach it becomes clear that he is a bit embarrassed of his body, as he struggles behind a towel to change into his swimming suit.
Ik wil nooit beroemd worden
Sound Mixer
Tobias used to be a successful cellist. Following heart failure in 1997, his life took a dramatic turn. He was pronounced clinically dead and brought back to life with jolts of electricity. He was in a coma for several weeks and, when he woke up, he turned out to be physically and mentally handicapped. In this way, at the age of 39, Tobias found himself in a wheelchair and was no longer able to talk as a result of his brain damage. From that moment on, playing the cello was a thing of the past.