Nikos Moutselos

참여 작품

버닝 데이즈
Associate Producer
Emre, a young and dedicated prosecutor, is newly appointed to a small town hit by a water crisis and political scandals. After an initial welcome, he experiences an increasing number of tense interactions and is reluctantly dragged into local politics. When Emre forms a bond with the owner of the local newspaper pressure escalates under heated rumours.
Zizotek
Co-Producer
After Jason (9) is abandoned by his mother at a folk festival, he takes refuge in a forest cabin belonging to a mute loner. A series of circumstances eventually lead them to form a family - something both have lacked for a while.
세자매
Associate Producer
아나톨리아의 가난한 마을에 사는 세 자매에 대한 이야기다. 모두 부유한 집의 양녀로 입양되었지만 세 사람 모두 피치못할 사정으로 다시 아버지가 살고있는 집으로 돌아오게 된다.
스틸 리버
Co-Producer
A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.
Lines
VFX Editor
Greece nowadays. Seven different stories about seven persons who have already reached their limits and finally fall apart. Despite their seemingly obvious connection they are simultaneously connected through a common desperate action: the last phone call to the psychological support center called "life line". It's their last hope. As no one can really help them, even then, they all remain another part of the contemporary Greek tragedy. Written by Horme Pictures
Rust
VFX Artist
A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.
푸른 물결
Co-Producer
대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.
Beyond the Hill
Producer
In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film's audience with his own dark secret.
Face down
Digital Effects Supervisor
A man's return to his homeland signals the violence that "equilibrium" requires.
아텐버그
Visual Effects
Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."
Tears of April
Co-Producer
There is civil war in Finland between "Whites" and "Reds". A woman soldier of the Reds is captured by the Whites. She is ordered to be executed. A lieutenant is enforced into a homosexual relationship with his commanding officer to save the Red female with whom he is infatuated.