Nicolas Peduzzi

Houston, Texas. As a hurricane looms, Alexandra, Will and Nate fight to survive in a city that seems to devour people as well as dreams. In this atmosphere suspended in time, these characters live their lives between music, hallucinations and hopes for redemption.

Houston, Texas. As a hurricane looms, Alexandra, Will and Nate fight to survive in a city that seems to devour people as well as dreams. In this atmosphere suspended in time, these characters live their lives between music, hallucinations and hopes for redemption.

At age 15, Taelor's idyllic childhood abruptly ends after the violent & sudden death of her doting father. Now 26, free-spirited Taelor navigates drug abuse, guns, madness & inherent violence of the rich, white Houstonian ghettos in Trump's America.

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

Theo is a teenager 13 years with some extra kilos sharing with his friends a passion for basketball. Him ans his friends all live in the same public housing wreck of a by gone era Pigalle or all sex shops are closing one after the other to make room for 'cocktail bars'. Thheo and his band a dozen others are 'The Goonis' Pigalle, all at risk of being off shored in Suburbs and then separated. But Theo life will change after meeting a Sonia an older and mysterious girl.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.