Alexandra Juhasz

For the 2016 Day With(out) Art, Visual AIDS presents COMPULSIVE PRACTICE, a video compilation of compulsive, daily, and habitual practices by nine artists and activists who live with their cameras as one way to manage, reflect upon, and change how they are deeply affected by HIV/AIDS. This hour-long video program will be distributed internationally to museums, art institutions, schools and AIDS organizations.

“Hooters!” explores lesbian culture, with humor, insight, and artistry, through the collaborative film making process used in Cheryl Dunye’s new seminal film, “The Owls”.

십년 전, ‘스크리치’는 당대 제일 잘나가는 레즈비언 밴드였다. 아이리스와 릴리가 밴드 전면에 서고, MJ가 음반 제작을 하고, 캐롤은 밴드 투어에 항상 함께 했다. 하지만 그 거대했던 꿈과 광란의 시절은 과거가 된지 오래다. 매혹적인 아이리스는 술에 찌들어 살면서 과거의 영광이 다시 올 거라는 환상을 버리지 못한다. 아이리스와 MJ는 헤어진지 오래되었지만 서로에게서 벗어나지 못한다. 캐롤과 릴리는 아기를 갖지 않게 되자 관계가 점점 소원해진다.

십년 전, ‘스크리치’는 당대 제일 잘나가는 레즈비언 밴드였다. 아이리스와 릴리가 밴드 전면에 서고, MJ가 음반 제작을 하고, 캐롤은 밴드 투어에 항상 함께 했다. 하지만 그 거대했던 꿈과 광란의 시절은 과거가 된지 오래다. 매혹적인 아이리스는 술에 찌들어 살면서 과거의 영광이 다시 올 거라는 환상을 버리지 못한다. 아이리스와 MJ는 헤어진지 오래되었지만 서로에게서 벗어나지 못한다. 캐롤과 릴리는 아기를 갖지 않게 되자 관계가 점점 소원해진다.

In 1993, Alex shoots an interview with her best friend Jim as he tries to recount his life as he is dying. In 2004, she re-works this haunted video, playing it in real-time but letting bleed in a host of present day interviewees who also reflect upon AIDS, death, activism, and video. What remains is this woman's contemplative, loving memorial to one gay man lost to AIDS that also marks what changes and lasts after death, across time, and because of videotape.

A documentary structured around private and poetic letters to her son from the feminist activist filmmaker, Alexandra Juhasz. The film shows the present situation of the director and five of her friends who went to university together. The women, who shared a set of values and a common faith under the feminist political umbrella, now live their own lives with their own families. Each of them struggles to define ‘family values’ in her own words, free from traditional heterosexuality, femininity, and religion.

Two jewish lesbians hold a naming ceremony for their baby in a melding of old customs and new ideas.

Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.

Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.

젊은 흑인 레즈비언 영화감독이 1930년대에 흑인 가정부의 전형을 연기하던 배우 워터멜론 우먼의 삶을 파고든다.

A euphoric lesbian sex video features a group of women in a frenzy of erotic scenes with poetry, slowly dripping water, fancy goldfish, and an ecstatic score by Sheila Chandra. Experimenting with pro-sex feminist media practices and pornography, Sex Fish was made as a collaboration known as E.T. Baby Mania.

The Women's AIDS Video Enterprise (WAVE) was a unique "video support" group sponsored by the Brooklyn AIDS Task Force and arts funding organizations. For six months, seven women of diverse backgrounds met to talk and learn about AIDS and video. "We Care" is the group's final project.

The Women's AIDS Video Enterprise (WAVE) was a unique "video support" group sponsored by the Brooklyn AIDS Task Force and arts funding organizations. For six months, seven women of diverse backgrounds met to talk and learn about AIDS and video. "We Care" is the group's final project.

The Women's AIDS Video Enterprise (WAVE) was a unique "video support" group sponsored by the Brooklyn AIDS Task Force and arts funding organizations. For six months, seven women of diverse backgrounds met to talk and learn about AIDS and video. "We Care" is the group's final project.

Self-reflexive video/super 8 film starring James Robert Lamb, Carolyn Lesjak, Alexandra Juhasz and neighborhood folks from the LES, 1989