Director
Performance artist Florence and documentary filmmaker Tze-woon are lovers. They propose to exchange each other’s distressing memories before they met and attempt to re-enact each other’s experience with their own art form. Could they really walk closer towards each other through the process?
Director
아직도 끝나지 않은 홍콩 민주주의 혁명을 보다 긴 역사적 관점에서 돌아보자고 제안하는 감동적인 다큐멘터리다. 2014년의 홍콩 민주화운동 이후 홍콩 시민의 용감한 모습은 뉴스에서 많이 다루어졌고, 특히 ′우산 혁명′ 현장은 강렬한 이미지와 함께 홍콩의 안타까운 현실을 많은 사람에게 알렸다. 하지만 홍콩 반환 이전의 홍콩에서 어떤 일이 있었는지는 상대적으로 많이 알려지지 않았다.
Director
Director of Photography
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
Producer
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
Editor
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
Director
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
Director
A group of documentary filmmakers and independent reporters accidentally find out something Hong Kongers do not know, but which affects them in important ways. They investigate the matter using their cameras, and as they approach the truth, danger beckons.
