Marie Charlebois

Fouad, a 15-year-old Moroccan immigrant, and Max, a 27-year-old "old stock" Quebecer, both live frustrating lives. Their respective destinies lead them face to face, in a situation from which neither will emerge unscathed.

Brother Marie-Victorin, founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help former agronomist turned beekeeper Albert save Quebec’s flora from a multinational that is poisoning the Earth with chemicals.

Bertrand is a theatre actor in his fifties and is completely stressed out by his new play. Today he realizes the adult son he had before his late coming out, Antoine, needs him more than usual. Will ensue a picnic at dusk, extravagant dances and the sweet portrait of a family that chose to live with no regret and in full sincerity.

모국에서 교사였던 아내와 두 자녀를 잃고 캐나다로 망명 온 라자르는 몬트리올의 한 초등학교 대체교사로 지원한다. 신기한 듯 이방인 선생님을 반기는 아이들. 하지만 라자르는 아이들이 마음 속 상처를 숨기고 있음을 알게 된다. 유난히 잘 따르는 알리스에게 위로 받고 심통쟁이 시몽도 달래면서 어느덧 상처가 아물어가던 그는 뜻하지 않은 일로 ‘마지막 수업’을 준비하게 되는데…

Borderline, a film version of the novels Borderline and La Brèche, tells the story of Kiki at various stages of her life. With her mother institutionalized, she is raised by her grandmother, where left to her own devices, she takes refuge in school. Her life before 30 is a far cry from fairy-tale. Sex and alcohol are her only outlets and her daily reality. She goes through men one after another.

Beaten and live an unimaginably difficult childhood, Elisa Trudel and her sister Madeline Trudel still have hope in their heart. Beaten both by their heartless mother. Their mother that this remarried with another man after their father died of a heart attack. Day after day, Elisa and Madeline overcomes the challenges and they discovers the key to be happy, is love. Based on a true story happened in the 70s.

A young girl who is being abused at home runs away to the seamy side of Montreal where she makes friends with a prostitute who helps her to survive the urban jungle.

Three couples meet at one of them for a slide show evening. But nobody takes pleasure in this evening, where triumphs the banality of the exchanges: it is a socialization forced by the bonds of the neighborhood, devoid of empathy or sincerity.