Elias Vervecken

영국 십 대 소녀 태라, 스카이, 엠은 아무 제약 없이 자유롭게 즐기기 위해 그리스의 한 유명 휴양지에 도착한다. 매일 밤 술과 파티가 난무하는 그곳에서 그들은 한 무리의 젊은 친구들을 만나게 된다. 태라는 그 무리 중 하나인 소년을 마음에 두지만 쉽사리 그에게 표현하지 못하던 중에, 또 다른 소년 하나가 태라에게 관심을 보이기 시작하는데...

The story homes in on Lorik, who's barely thirty years old yet who works as an enforcer for the Albanian mafia in Brussels, alongside his mentor Aleks. And when Lorik falls in love with Sema, a Fine Arts student of Turkish origins, his past comes back to haunt him: a man hailing from Lorik's village in Albania, whose father was killed by the latter's uncle, tracks down the young man and demands that his family's debt be paid for in blood, as per the Kanun tradition. In short, he asks the clan for Lorik's death.

프레디는 여행차 떠난 일본행 항공편이 태풍으로 변경되자 어린 시절 프랑스로 입양된 후 처음으로 한국 땅을 밟게 된다. 언어도, 문화도 매우 낯설지만 나름의 재미를 즐기는 그녀. 하지만 자신이 진정 느끼고 원하는 건 무엇인지, 스스로를 발견해가는 길은 순탄치 않고, 결국 만나게 된 그녀의 생부와도 서로 산더미 같은 감정의 골이 남아있다.

Two repeat offenders sentenced to community work in a learning center for the visually impaired decide to build and coach a blind football team.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

Snickers is a lonely mouse in a pet shop, craving to be bought by someone. But he has got one big problem: his huge ears. The kids entering the store keep laughing at him. Will Snickers find the buddy he so desires, someone who will take him for who he is?

Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extension ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home.