Satoshi Shinohara

참여 작품

Man On The Sand
On a premise of a prison, a guard dressed in protective clothing, who is in charge of cleaning of the sandy beach known as the special government-owned land, has been cleaning the beach as usual today. When he was finished with the cleaning, a chief guard dressed in the same protective clothing comes to the beach to take the three condemned criminals.The beach of the sea has the power to take the lives of a person who has touched the sands, and the death penalty had been executed by using such supernatural power in this prison...
Déracine
A mysterious street-painter, Jouji, wanders aimlessly, homeless. Together with his homeless pals, he makes his living by selling his paintings on the street. His paintings, dynamically exploding on pieces of cardboard, catch the eyes of Kyoko, an art dealer. He can feel alive only if he keeps painting, but unable to find something to fill his void inside, he tries to drown himself in alcohol. Drawn to Jouji, Kyoko commissions him to paint for her. The two travel to a secluded mountain-side, and there Jouji becomes inspired both by the natural surroundings and Kyoko herself.
The Outer Way
The cop Himuro is picked as scapegoat by his superiors because of their own involvement in sokaiya gangster practices.
The Wicked Reporter 3: The One That Got Away
A couple years have passed, Matsuzaki is divorced and has a daughter and is still up to his old compulsive gambling, boozing and womanizing even as he stares middle age in the face. At his daughter's school he meets a teacher who's similarily obsessed with horserace betting and who's also frigid - something he does his best to therapize. He also reconnects with his ex-wife, who just so happens to be the literary agent and love interest of another writer of the gambling genre. An epic gambling battle between the two ensues.
Like a Rolling Stone
Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.