Manuel Ferrari

참여 작품

Los paseos
Editor
Las credenciales
Writer
This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.
Las credenciales
Director
This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.
Overnight
Writer
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
Overnight
Director
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
Cycles
Editor
"CICLOS follows Ignacio Semeñuk, a 15 year old cyclist, as he faces the severeness of his training, his path to adulthood and his love life."
The Winter Comes After Autumn
Editor
The Expansions
Director
The present, past and future of the conquest of the city known as Buenos Aires.
Implantation
Editor
Inaugurated by the military government of Lanusse and built under the motto "The neighborhood of the year 2000", Lugano I and II today is a place full of signs and routes that its ideologists left programmed forever. The film moves between the ghosts of the past and life in the present
Camino de Campaña
Editor
Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.
Chronicles of Solitude
Director of Photography
Six chronicles based on an enigmatic space called Solitude.
Chronicles of Solitude
Writer
Six chronicles based on an enigmatic space called Solitude.
Chronicles of Solitude
Director
Six chronicles based on an enigmatic space called Solitude.
The Intern
Executive Producer
A bellhop and a young receptionist at a five-star hotel in Buenos Aires set out at night to investigate and unravel the secrets of the guests. However the guests do not reveal very much and the two go increasingly adrift through their curiosity.
(How) To Be Dead
Writer
A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
(How) To Be Dead
Director
A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
About Buenos Aires
Writer
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
About Buenos Aires
Director
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Lights and Shadows
Director