Producer
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.
2. Bauernmagd
In 1936 Nazi Germany, a young, innocent apprentice, full of Olympic fever, leaves his rural village to see the ceremonies in Berlin. Upon arriving in the capitol, he meets a widow and a relationship blossoms. They spend an idyllic summer at her lakeside home, but the forces of totalitarianism cannot be held at bay and soon invade their lives.
