Laurynas Bareiša
출생 : 1988-02-26, Kaunas, Lithuania
약력
Laurynas Bareiša (b.1988/02/26, Kaunas, Lithuania) holds a bachelor's degree in both applied mathematics from Vilnius University and in cinematography from Lithuanian Academy of Music and Theatre. In 2016 he finished his studies for a master’s degree in film directing. His first short film "Dembava" was in one of the Top 5 lists of Cineuropa 2014. In 2014 he and producer Klementina Remeikaite established the film production company "afterschool", with which he produced and directed the short films "The camel" (San Sebastian FF 2016, Students meeting point programme), "By the pool" (Venice FF 2017) and "Caucasus" (Locarno FF 2018). Laurynas attended EKRAN+ in 2015, and HIS short film "By the pool" was developed in Baltic Pitching Forum and won the pitching session at the European Short Pitch 2016 by NISIMASA. In 2017 he worked as cinematographer in the feature film "Summer Survivors" directed by Marija Kavtardze (TIFF 2018).
Director of Photography
Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy.
Director of Photography
Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.
Editor
A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.
Editor
Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.
Screenplay
Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.
Director
Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.
Screenplay
Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.
Director
Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.
Editor
A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.
Director of Photography
야심 찬 젊은 심리학자 인드레는 병원의 연구 특전을 얻는 대신 두 명의 환자를 다른 정신과 병동으로 이송하는데 마지못해 동의한다. 외향적인 파울리우스는 조울증 조증 단계에 있다. 내면의 상처로 인해 내성적인 주스테와 극단적인 대조를 이루지만 이들은 자신들을 규정하는 내부 세계의 전투를 힘겹게 이끌어 나가는 공통점이 있다. 이들은 바깥 세상으로 나가 친구들과 함께 웃음을 나누며 생존을 위한 여정을 같이하게 된다.
Editor
Tekle and her young daughter, Ema, return from abroad to visit Dalia, Tekle’s mother. When Ema goes out to walk her dog, Dalia, fearing something terrible might happen to her granddaughter, starts looking for her.
Screenplay
Tekle and her young daughter, Ema, return from abroad to visit Dalia, Tekle’s mother. When Ema goes out to walk her dog, Dalia, fearing something terrible might happen to her granddaughter, starts looking for her.
Director
Tekle and her young daughter, Ema, return from abroad to visit Dalia, Tekle’s mother. When Ema goes out to walk her dog, Dalia, fearing something terrible might happen to her granddaughter, starts looking for her.
Director
Director
A camel dies in the local zoo. Paulius and Indre – two caretakers discover it and try to dispose of the dead animal. But it turns out to be a much harder task than they imagined.
Assistant Director of Photography
This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.
Passer-by in the shop
Vytas is a resident of a blocked houses quarter and he is just as dull as his neighborhood. Though the young guy is over his twenties, he still lives with his parents - spending their days watching TV. Vytas' girlfriend Ona is a bit different - she is independent, knows her likes and dislikes, has some friends - one of which she starts seeing more and more often. This leaves no sunshine in Vytas life at all and makes him wander for the truth in the maze of the blocked houses quarter.
