Screenplay
A boat crossing the Caribbean Sea. On board, Willem Dafoe opens a briefcase that casts a golden glow on Christopher Walken's face. In a fit of ambition, Walken snatches up a swordfish and plunges it into Dafoe's abdomen, causing him to writhe in pain. In his death throes, Dafoe grabs another swordfish and lops off Walken's head. As he descends into the deep sea, Walken's head will discover that ambition always knocks twice.
Director
A boat crossing the Caribbean Sea. On board, Willem Dafoe opens a briefcase that casts a golden glow on Christopher Walken's face. In a fit of ambition, Walken snatches up a swordfish and plunges it into Dafoe's abdomen, causing him to writhe in pain. In his death throes, Dafoe grabs another swordfish and lops off Walken's head. As he descends into the deep sea, Walken's head will discover that ambition always knocks twice.
Screenplay
A girl regularly leaves food at the door of her grandfather's room, who is ill. One day the grandfather does not open the door. Then the girl decides to enter.
Director
A girl regularly leaves food at the door of her grandfather's room, who is ill. One day the grandfather does not open the door. Then the girl decides to enter.
Cinematography
One morning, after a restless sleep, Gregorio wakes up a generous conversationalist who shares some of his biggest secrets.
Producer
One morning, after a restless sleep, Gregorio wakes up a generous conversationalist who shares some of his biggest secrets.
Screenplay
One morning, after a restless sleep, Gregorio wakes up a generous conversationalist who shares some of his biggest secrets.
Director
One morning, after a restless sleep, Gregorio wakes up a generous conversationalist who shares some of his biggest secrets.
Graphic Designer
An unemployed journalist during her quarantine finds a job option on the cam girl platforms, but a phone call from her daughter will make her reconsider that decision.
Director
An unemployed journalist during her quarantine finds a job option on the cam girl platforms, but a phone call from her daughter will make her reconsider that decision.
Script
Verónica is driven by a need to help people. When a cab she is riding in hits street kid Tato, she immediately brings him home and tends to his injuries. Her roommate Greta thinks Tato is trouble, but Verónica only sees someone in need of a hand.
Director
Verónica is driven by a need to help people. When a cab she is riding in hits street kid Tato, she immediately brings him home and tends to his injuries. Her roommate Greta thinks Tato is trouble, but Verónica only sees someone in need of a hand.
Producer
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Writer
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Director
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Executive Producer
San José of Costa Rica, beginning of the XXI century. A man with the appearance of an office worker travels alone in a train car. He accompanies his loneliness with an old tie until a woman in a yellow dress sits in front of him. Then a game full of curiosity, of small and unexpected disagreements, of closeness and silences begins between the two.
Screenplay
San José of Costa Rica, beginning of the XXI century. A man with the appearance of an office worker travels alone in a train car. He accompanies his loneliness with an old tie until a woman in a yellow dress sits in front of him. Then a game full of curiosity, of small and unexpected disagreements, of closeness and silences begins between the two.
Director
San José of Costa Rica, beginning of the XXI century. A man with the appearance of an office worker travels alone in a train car. He accompanies his loneliness with an old tie until a woman in a yellow dress sits in front of him. Then a game full of curiosity, of small and unexpected disagreements, of closeness and silences begins between the two.
Executive Producer
A seven-year-old boy awakens when a voice announces that his father is suffering from a sudden illness. His modest daily life is then transformed by visions of a giant mosquito, masked sprayers producing thick smoke screens, and a woman who distributes warnings throughout the neighborhood.
Editor
A seven-year-old boy awakens when a voice announces that his father is suffering from a sudden illness. His modest daily life is then transformed by visions of a giant mosquito, masked sprayers producing thick smoke screens, and a woman who distributes warnings throughout the neighborhood.
Screenplay
A seven-year-old boy awakens when a voice announces that his father is suffering from a sudden illness. His modest daily life is then transformed by visions of a giant mosquito, masked sprayers producing thick smoke screens, and a woman who distributes warnings throughout the neighborhood.
Director
A seven-year-old boy awakens when a voice announces that his father is suffering from a sudden illness. His modest daily life is then transformed by visions of a giant mosquito, masked sprayers producing thick smoke screens, and a woman who distributes warnings throughout the neighborhood.
Executive Producer
A group of colorful characters carry a mirror through the streets of San José and leave it in the Central Park of the city. A crowd moves around the mirror. A passerby shouts in front of his own image: "be attentive to what is coming!" The mirror reflects, transforms and deforms reality. Produces stories and mirages.
Cinematography
A group of colorful characters carry a mirror through the streets of San José and leave it in the Central Park of the city. A crowd moves around the mirror. A passerby shouts in front of his own image: "be attentive to what is coming!" The mirror reflects, transforms and deforms reality. Produces stories and mirages.
Director
A group of colorful characters carry a mirror through the streets of San José and leave it in the Central Park of the city. A crowd moves around the mirror. A passerby shouts in front of his own image: "be attentive to what is coming!" The mirror reflects, transforms and deforms reality. Produces stories and mirages.
Screenplay
She wakes up slowly, confused between the caress of her husband and the sound of the radio. A moment later she gets up, tidies up the house, takes a bath, has breakfast, and leaves for work. In the afternoon she returns, prepares dinner and wakes up her husband. He helps her with some chores, takes a bath, eats and goes out to work. The story is too common. Like them, thousands of couples cross and estrange away, day after day.
Producer
She wakes up slowly, confused between the caress of her husband and the sound of the radio. A moment later she gets up, tidies up the house, takes a bath, has breakfast, and leaves for work. In the afternoon she returns, prepares dinner and wakes up her husband. He helps her with some chores, takes a bath, eats and goes out to work. The story is too common. Like them, thousands of couples cross and estrange away, day after day.
Director
She wakes up slowly, confused between the caress of her husband and the sound of the radio. A moment later she gets up, tidies up the house, takes a bath, has breakfast, and leaves for work. In the afternoon she returns, prepares dinner and wakes up her husband. He helps her with some chores, takes a bath, eats and goes out to work. The story is too common. Like them, thousands of couples cross and estrange away, day after day.
Editor
On a night like any other, a homeless person listens to a presidential speech offering housing to those who need it. The next day he wakes up in a strange and radiant city. During the afternoon, a builder raises the facade of his long-awaited house. Only the facade.
Cinematography
On a night like any other, a homeless person listens to a presidential speech offering housing to those who need it. The next day he wakes up in a strange and radiant city. During the afternoon, a builder raises the facade of his long-awaited house. Only the facade.
Screenplay
On a night like any other, a homeless person listens to a presidential speech offering housing to those who need it. The next day he wakes up in a strange and radiant city. During the afternoon, a builder raises the facade of his long-awaited house. Only the facade.
Director
On a night like any other, a homeless person listens to a presidential speech offering housing to those who need it. The next day he wakes up in a strange and radiant city. During the afternoon, a builder raises the facade of his long-awaited house. Only the facade.
Director
A cinephile falls asleep during a projection and reality starts to confuse with dreams
Screenplay
A cinephile falls asleep during a projection and reality starts to confuse with dreams
Assistant Director
A documentary about the National Theather of Costa Rica, in the anniversary of the Costa Rican architectural landmark
