Angelina
This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.
Dorabella
자매간인 피오르딜리지와 도라벨라는 젊은 장교 굴리엘모, 페란도와 며칠 전 약혼한 사이다. 철학자 돈 알폰소는 24시간 안에 약혼녀들이 다른 남자에게 넘어가는지 약혼남들과 시험해 보기로 하고 돈내기를 한다. 돈 알폰소는 변장 후 자매들에게 접근해 연인들이 전쟁터에 나가게 되었다고 거짓말을 하며 적극 구애한다. 결국 그녀들은 남자들의 유혹에 차례로 넘어가고 마는데...
Pippo
Zerlina
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
