Director of Photography
린과 루시는 세상에 둘도 없는 친구다. 두 사람은 마치 연인처럼 돈독한 사이를 이어왔다. 첫사랑과 결혼해 하루가 커가는 딸을 둔 린은 변덕스러운 친구 루시에게 아기가 생겼다는 말에 기쁨을 감추지 못한다. 하지만, 린의 예상과는 달리, 루시는 엄마가 되는 일이 마냥 반갑지만은 않다. 얼마 지나지 않아, 두 사람은 극단적인 상황에 휘말리게 되고, 두 사람의 우정에도 위기가 찾아온다.
Editor
린과 루시는 세상에 둘도 없는 친구다. 두 사람은 마치 연인처럼 돈독한 사이를 이어왔다. 첫사랑과 결혼해 하루가 커가는 딸을 둔 린은 변덕스러운 친구 루시에게 아기가 생겼다는 말에 기쁨을 감추지 못한다. 하지만, 린의 예상과는 달리, 루시는 엄마가 되는 일이 마냥 반갑지만은 않다. 얼마 지나지 않아, 두 사람은 극단적인 상황에 휘말리게 되고, 두 사람의 우정에도 위기가 찾아온다.
Director of Photography
Ten Londoners and a dog. They dance together, steal together, eat together; agree and disagree, celebrate their differences and share their talents. They spark a debate about the world we live in, who has stolen what from whom, and how things might be fixed.
Editor
'Bo' Gritz is one of America's highest decorated Vietnam veterans and the real life inspiration behind Rambo. He also killed 400 people, turned against Washington and moved to the Nevada desert where he now sleeps with many weapons. Filmed over ten years using impressive visual material, Zimmerman's portrait of Bo embodies contemporary American society in all its dizzying complexity and contradictions.
Director of Photography
'Bo' Gritz is one of America's highest decorated Vietnam veterans and the real life inspiration behind Rambo. He also killed 400 people, turned against Washington and moved to the Nevada desert where he now sleeps with many weapons. Filmed over ten years using impressive visual material, Zimmerman's portrait of Bo embodies contemporary American society in all its dizzying complexity and contradictions.
Writer
'Bo' Gritz is one of America's highest decorated Vietnam veterans and the real life inspiration behind Rambo. He also killed 400 people, turned against Washington and moved to the Nevada desert where he now sleeps with many weapons. Filmed over ten years using impressive visual material, Zimmerman's portrait of Bo embodies contemporary American society in all its dizzying complexity and contradictions.
Cinematography
Examines the resilience of residents who are profoundly overlooked by media representations and wider social responses. Interweaving intimate portraits with the residents' own historical re-enactments, landscape and architectural studies and dramatised scenes, the film asks how we might resist being framed exclusively through class, gender, ability or disability, and even through geography.
Director of Photography
In a shadowy caravan on a Scottish Island, teenage lovers, Sorley and Maggie spend time awkwardly, stalked by the haunting presence of Sorley's father. Arrested by this and by their feelings for each other, the couple seek escape, where a Cuillin rises out of the sea.
Director of Photography
Two young friends reveal their hidden desires by a theatrical presentation of Dionysus. The myth as well as the girl, initiating and redemptive becomes the catalyst of the hidden inner desires.’
