Liliana Biamonte

Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.

When Ana investigates the attack in which her father died forty years ago, the mysterious recognition of a possible witness takes her on a journey to the place where the events occurred. In that border place, Ana sees in that enigmatic man something more than a witness.

건축가 루이자는 아이들을 상대로 창작워크샵을 열며 산다. 어느날, 학교 화장실에서 임신한 17세 소녀 율리아나를 발견하고 그녀에게 도움을 주기로 결심한다. 루이자는 율리아나의 친구, 어머니 혹은 선생님 사이의 어딘가의 역할을 맡게 된다.

María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.

A young and dedicated nurse is trying to avoid the pain left by her dear cousin's suicide.

Nina and Laura are a couple whose four year-old son Mateo has just died. Laura moves back to Chile seeking the comfort of her family while Nina, intending to reunite with her shortly, is left to tie up loose ends at home: storing Mateo's things and renting out their house. 'What a big space such a little body can fill, what a massive abyss there is now between your mom and me'.

Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.

Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.