Julia Teles

어부 호세는 밤새 낚시를 마치고 정글 깊숙이 자리한 집으로 돌아온다. 그를 맞은 것은 넋이 나간 딸과, 사라진 두 아들. 용병 부대가 참혹하게 아들을 살해하고 강물에 시체를 버린 것이다. 늙은 아비는 두 아들의 영혼이 구천을 떠돌지 않도록, 제대로 장례를 치러주고자 강물을 거슬러 오르는 외로운 여행을 떠난다. 예기치 못한 여정에서 그는 무수한 사람들을 만나게 된다. 일부는 그의 불행을 동정하지만, 대부분은 보복이 있을까 두려워 그에게 등을 돌리고, 몇몇은 어리석다며 오히려 비웃기까지 한다.

Parents and children are reunited after 13 years apart. This is the starting point of the film, which follows the process of affective reconstruction of director Marcos Yoshi's family, crossed by the flow of migrations between Brazil and Japan, known as the dekassegui phenomenon. The story of a family of Japanese descent torn between the need to make a living and the desire to stay together.

A feature documentary on the life and work of Brazilian conductor, teacher, musicologist and composer José Siqueira. Founder of some of the most important Brazilian orchestras, including the Brazilian Symphonic Orchestra, Siqueira was part of the 3rd. nationalist generation of Brazilian composers who used folklore as a source of inspiration and emphasized their northeastern roots in their work. An artist and leader of the musical class who showed the world the strength and diversity of Brazilian culture and who remains unknown in his own country after having his history erased by the Brazilian military dictatorship.

After relocating to Tokyo, a Brazilian writer begins a new novel, provoked by her experiences in Japan and by one of the last scenes she witnessed in Rio de Janeiro: a female swimmer tearing up the horizon with powerful strokes in the wide, open sea. Those two women apparently share no connection, until their lives start to interfere in one another, strangely linked through the sea. Hannah, the writer, plunges into a journey of self-discovery in Japan, while Ana, the swimmer in Rio de Janeiro, oddly has her body transformed into some kind of inner Ocean.

Between 1920 and 1953, the government of São Paulo sponsored the construction of a massive nationalist monument created by the famous Brazilian sculptor Victor Brecheret in honor of the bandeirantes, 16th and 17th-century fortune hunters and enslavers of indigenous people. To this day, the statue’s granite faces hear echoes from the official discourse behind the monument.

Between 1920 and 1953, the government of São Paulo sponsored the construction of a massive nationalist monument created by the famous Brazilian sculptor Victor Brecheret in honor of the bandeirantes, 16th and 17th-century fortune hunters and enslavers of indigenous people. To this day, the statue’s granite faces hear echoes from the official discourse behind the monument.

Between 1920 and 1953, the government of São Paulo sponsored the construction of a massive nationalist monument created by the famous Brazilian sculptor Victor Brecheret in honor of the bandeirantes, 16th and 17th-century fortune hunters and enslavers of indigenous people. To this day, the statue’s granite faces hear echoes from the official discourse behind the monument.

Between 1920 and 1953, the government of São Paulo sponsored the construction of a massive nationalist monument created by the famous Brazilian sculptor Victor Brecheret in honor of the bandeirantes, 16th and 17th-century fortune hunters and enslavers of indigenous people. To this day, the statue’s granite faces hear echoes from the official discourse behind the monument.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

After being the victim of a violent eviction in the Parque Oeste neighborhood, in Goiânia, a woman rebuilds her life based on the struggle for housing.

After being the victim of a violent eviction in the Parque Oeste neighborhood, in Goiânia, a woman rebuilds her life based on the struggle for housing.

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

15세 브라질 여성 ‘엘로아’는 결별 이후, 자신을 스토킹하던 전 남자친구에 의해 감금, 살해되었다. 사건 당사자의 사회적 배경에 따라 확연하게 달라지는 브라질 경찰들의 태도와 단순히 시청률을 올리기 위하여 이 사건을 앞다투어 자극적으로 보도하는 미디어의 행태가 그녀의 죽음을 가져왔다. 영화는 당시 사건을 중계한 미디어 화면을 보며 진행되는 인터뷰로, 문제의 초점을 무너뜨린 사회 속의 다른 살인자들을 꼬집고 있다.