Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
The Munich business lawyer Marc is not happy: Instead of going to New York as planned, he has to travel to the province of Mecklenburg-Western Pomerania at short notice to represent his sick grandfather as a pub owner for four weeks. The lawyer juggles millions of dollars every day - it should be easy for him to get grandpa's ailing tavern going with Western know-how. But the down-to-earth Ossis are not in the mood for tapas and Thai food. Marc only realizes this when he gets to know and love the young, single parent Carmen. When Marc's fiancée Lisa shows up, decisions are pending.
