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Unexpected revelations and unraveling friendships mark a 30th birthday celebration.
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Academy Award®-nominated DOING TIME: LIFE INSIDE THE BIG HOUSE takes a hard-edged look at life inside the walls of Lewisburg, a maximum security federal penitentiary where the notion of rehabilitation and parole have all but been abandoned. After gaining unprecedented permission from the Justice Department, Emmy® Award-winner Alan Raymond spent five weeks inside Lewisburg. With access to the entire prison, the Raymonds captured the stories of corrections officers as well as the inmates, including drug lords, "lifers" with no possibility of parole, and prisoners convicted of leading prison riots. Detailing a world where prisoners carry "shanks" and officers respond to violence in full riot gear, this candid documentary reveals what life inside "the big house" is really like. A rare, unprecedented look at the prison subculture, DOING TIME: LIFE INSIDE THE BIG HOUSE will challenge the way you look at incarceration in America.
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A shopkeeper is condemned by the police and the press for sleeping with a suspected terrorist.
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A college student falls in love with a porn star and is sucked into psychological games with her twisted sugar daddy. This is the full film of the 'Gretta' segment in NIGHT TRAIN TO TERROR.
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Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girls-night out, where she discovers that one of the dancers is her failing student Rick Monroe, a.k.a. "Ricky the Rocket". A heated affair between teacher & student ensues, as Faye struggles to reconcile her emotions and make consequential life choices: Continue her lustful sessions with the studly-but-shallow teen stripper? Or break it off with Ricky & work to salvage her marriage to the loving-but-distant husband?
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뉴욕의 밤 거리, 화려한 원색의 옷을 입은 렌이 지하철과 클럽을 돌아다니며 밴드를 할 사람을 찾고 있다. 한편, 작은 밴에서 먹고 자는 가난한 청년 폴이 우연히 렌을 만나 관심을 갖는다. 수잔 세이들먼 감독의 장편 데뷔작으로 언뜻 신나고 화려해 보이는 당시 청년 문화의 이면에 자리 잡은 공허와 외로움을 날카롭게 포착했다. 1982년 칸영화제 경쟁부문 상영작. (2019년 제14회 시네바캉스 서울)
