A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
María M. is a prostitute from the Ciudad de Buenos Aires. She has sex and love relationships with several men, until she meets the one she thinks will be the love of her life. From that moment he decides to reform and start a new life, but fate has a bitter disappointment in store for him.
A wealthy man comes to Buenos Aires to avenge the death of his young brother. He starts a relation with a suggestive blonde singer from a nightclub run by a mafia boss. One of the musical numbers is made by Michelle, a well-known American transvestite and is the first appearance of a transvestite in an Argentine film, something daring for the time.
