Tiziana Panizza

Tiziana Panizza

출생 : , Santiago, Chile

약력

Tiziana Panizza Montanari (Santiago, 1972) is a Chilean documentary filmmaker, television producer, researcher and teacher

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Tiziana Panizza

참여 작품

Enigma
Thanks
Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.
The Union
Thanks
The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.
La Isla de los Pájaros Sombra
Editor
In his travels through the southern sea of Chile, the privateer Francis Drake discovered a strange island. The extraordinary events that he lived there described in his travel diary have disappeared just like the island.
La Isla de los Pájaros Sombra
Director
In his travels through the southern sea of Chile, the privateer Francis Drake discovered a strange island. The extraordinary events that he lived there described in his travel diary have disappeared just like the island.
Solitary Land
Editor
Easter Island is the second-most remote island from a continent in the world, after the Tristan da Cunha archipelago. It is located in the Pacific Ocean 3,680 kilometres away from Chile (of which it is part), inhabited for centuries by a population of Polynesian origin (for whom its name is Rapa-Nui). Exploited by European colonisers from the 18th century onwards, visited by archaeologists, anthropologists and tourists attracted by the moai, the large tuff statues that people its coastlines, and filmed thousands of times, it has a stable population and an administration that manages the existence of the community, including justice. The presence, on this isolated territory from which escape is difficult, of a prison, even if it is a building without walls, is therefore a bizarre paradox...
Solitary Land
Writer
Easter Island is the second-most remote island from a continent in the world, after the Tristan da Cunha archipelago. It is located in the Pacific Ocean 3,680 kilometres away from Chile (of which it is part), inhabited for centuries by a population of Polynesian origin (for whom its name is Rapa-Nui). Exploited by European colonisers from the 18th century onwards, visited by archaeologists, anthropologists and tourists attracted by the moai, the large tuff statues that people its coastlines, and filmed thousands of times, it has a stable population and an administration that manages the existence of the community, including justice. The presence, on this isolated territory from which escape is difficult, of a prison, even if it is a building without walls, is therefore a bizarre paradox...
Solitary Land
Director
Easter Island is the second-most remote island from a continent in the world, after the Tristan da Cunha archipelago. It is located in the Pacific Ocean 3,680 kilometres away from Chile (of which it is part), inhabited for centuries by a population of Polynesian origin (for whom its name is Rapa-Nui). Exploited by European colonisers from the 18th century onwards, visited by archaeologists, anthropologists and tourists attracted by the moai, the large tuff statues that people its coastlines, and filmed thousands of times, it has a stable population and an administration that manages the existence of the community, including justice. The presence, on this isolated territory from which escape is difficult, of a prison, even if it is a building without walls, is therefore a bizarre paradox...
Genoveva
Other
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
Buscando Isla de Pascua, la película perdida
Thanks
The documentary frames the reactions of Rapa Nui's people following the screening of -at that time- a presumed lost film involving their territory.
In the End: The Last Letter
Editor
Last of the trilogy of visual letters
In the End: The Last Letter
Director
Last of the trilogy of visual letters
74 Square Meters
Writer
Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.
74 Square Meters
Director
Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.
Postage: A Visual Letter
Editor
Director Tiziana Panizza creates a visual letter for her family at Italy who she has never met.
Postage: A Visual Letter
Director of Photography
Director Tiziana Panizza creates a visual letter for her family at Italy who she has never met.
Postage: A Visual Letter
Writer
Director Tiziana Panizza creates a visual letter for her family at Italy who she has never met.
Postage: A Visual Letter
Director
Director Tiziana Panizza creates a visual letter for her family at Italy who she has never met.
Postage: A Visual Letter
(voice)
Director Tiziana Panizza creates a visual letter for her family at Italy who she has never met.
Dear nonna: A film letter
Director of Photography
When I was a child, my Italian grandmother used to read aloud the letters she received in Chile from her relatives back home. My grandmother is still alive, but she inhabits a dimension where there is only room for her. This is a letter, from London to Latin America, in a last attempt to recover an ancient family rite.
Dear nonna: A film letter
Editor
When I was a child, my Italian grandmother used to read aloud the letters she received in Chile from her relatives back home. My grandmother is still alive, but she inhabits a dimension where there is only room for her. This is a letter, from London to Latin America, in a last attempt to recover an ancient family rite.
Dear nonna: A film letter
Producer
When I was a child, my Italian grandmother used to read aloud the letters she received in Chile from her relatives back home. My grandmother is still alive, but she inhabits a dimension where there is only room for her. This is a letter, from London to Latin America, in a last attempt to recover an ancient family rite.
Dear nonna: A film letter
Screenplay
When I was a child, my Italian grandmother used to read aloud the letters she received in Chile from her relatives back home. My grandmother is still alive, but she inhabits a dimension where there is only room for her. This is a letter, from London to Latin America, in a last attempt to recover an ancient family rite.
Dear nonna: A film letter
Director
When I was a child, my Italian grandmother used to read aloud the letters she received in Chile from her relatives back home. My grandmother is still alive, but she inhabits a dimension where there is only room for her. This is a letter, from London to Latin America, in a last attempt to recover an ancient family rite.
La última huella
Writer
In the southernmost place in the world live the Yámanas, who survived and developed in one of the most inhospitable climates in the world. Today on the brink of extinction, its oldest survivors Úrsula and Cristina Calderón, invite us on a journey through its history, its myths, its language and its landscape. They are the last Footprint.
La última huella
Assistant Director
In the southernmost place in the world live the Yámanas, who survived and developed in one of the most inhospitable climates in the world. Today on the brink of extinction, its oldest survivors Úrsula and Cristina Calderón, invite us on a journey through its history, its myths, its language and its landscape. They are the last Footprint.
Tierra en Movimiento
Director