Director
Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…
Himself
세계에서 가장 권위 있는 공연예술극장, 파리 바스티유 오페라극장. 20세기 음악 혁명을 이끈 작곡가 쇤베르크의 오페라 '모세와 아론'이 2015년 가을, 파리 오페라극장에서 초연된다. 한 편의 오페라를 무대에 올리기까지, 당신의 상상을 뛰어넘는 백스테이지의 모든 것이 공개된다.
