Writer
Director
Editor
툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.
Director of Photography
툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.
Writer
툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.
Director
툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.
Script
Edgar and David find a sculpture at an archeological excavation. Obsessed with the find, Edgar embarks on a journey and disappears without a trace. Years later, María, his daughter, decides to go and look for him in the jungle.
Director
Edgar and David find a sculpture at an archeological excavation. Obsessed with the find, Edgar embarks on a journey and disappears without a trace. Years later, María, his daughter, decides to go and look for him in the jungle.
Editor
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
Producer
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
Writer
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
Director
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
