법학과에 진학중인 루이자는 어느 날, 친구를 따라 반 나치, 반 파시스트 운동권 단체인 P-31에 가담한다. 파시즘 성향 정치인 연설에 반대하기 위해 집회에 참석한 루이자는 자신을 촬영한 채증 사진이 담긴 핸드폰을 훔쳐 달아나다 경찰에게 잡히고 마는데, 위기에 처한 그녀를 단체 내 강경파인 알파(Alfa)가 구해주고 둘은 이내 가까워진다. 폭력으로부터 거리를 두고 자신들의 정치적 이상을 실현하려는 온건파와 무기사용을 서슴지 않고, 테러리즘을 감행하려 하는 강경파 사이를 오가며 루이자는 혐오세력에 맞서기 위해 무력 투쟁을 하는 것이 과연 정당한 것인지 혼란스러워 한다.
Drogendealer
“Congratulations, you’re pregnant!” Lara can hardly believe what the doctor has just told her. The 25-year-old spends her nights hanging around Berlin with best friend Nora, having lost interest in her architectural studies long ago. She has no idea what to do with her life – she does a lot, but nothing properly. She now finds herself pregnant after a night of passion with a charming barman she met at a party. Nora is thrilled by the news though, proclaiming: “we’re having a baby!” After some initial doubts, Lara too begins to see her pregnancy as a chance. Together with Nora, she sets about painting the nursery and goes in search of the baby’s father. Then the gynaecologist gives Lara some bad news…
Frank
Eleven young people live in a city. It is midsummer. This is the starting point of the escalation of seemingly harmonious relationships. A postmodern urban fairy tale about loneliness of dependency. About the question of what is greater, freedom or love.
Regiestudent Andreas
Rosa von Praunheim, the director of the film, parodies himself and his time as a professor at the Film School in Potsdam Babelsberg, where he taught for six years.
Praktikant im Fernsehstudio
Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.
