Emma Dalesman

Fresh wounds are reopened when Jasmeet Bhamra, a cop and a single mother who recently lost her child in a shooting spree, transfers to High Wycombe and is assigned a case of a missing child.

Echoing the precarious times we live in, a newly commissioned documentary Fire In My Belly (2021) offers a compelling take on questions of home, community and crisis in the metropolitan city of London. (Whitechapel Gallery) HD video, colour, sound

Enter a shadowy establishment where residents attempt to create order from the chaos of life. Carers become patients, memories fracture and relationships collide. Physical theatre company Gecko has a reputation for generating unique worlds, intoxicatingly beautiful scenes and breathtaking choreography. Based on their internationally acclaimed production by Amit Lahav, this film is a visually captivating and poetic dissection of the way we nurture and care for ourselves and each other.

Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.

Set in 1985 and the present day, the film explores and reflects on the often forgotten histories of black and brown community struggle in East London. The legacy of community and activist group, Newham Monitoring Project is spotlighted.

The future of social housing is threatened by the AC30 Housing Bill. Set in London's East End, a trio of art students are eager to raise awareness about their neighbourhood especially the lives of tenants and people who work on the estate.

A bowling alley, artists, friends, a recording studio, a pregnancy, a baby and universal pop culture, not all necessarily in this order. In Queen, Kathryn Elkin has places, chronology, memories and words clash together. She creates a film of rapid prosody like a bowling bowl thrown at high speed, obliterating the very sense of performance. Written and shot during her own pregnancy and the first months in the life of her child, Queen questions the meaning of this experience for the artist: can being a mother be a performance?

REMAKE is based on collected descriptions of interiors part of wider cinematic narratives, re-interpreted as new fictions.

A comedy about Yossi, a charismatic Kosher butcher who loses his job, cannot find work at other Kosher butchers, and decides to pretend to be Muslim in order to get work at a Halal butchers.

In Waiting looks at the unbearable anxiety of waiting for potential lifechanging medical results. Set inside a hospital waiting room the film follows JOHN from entering the hospital until the time time he is called as well as the actions, conversations and interactions between him and other patients waiting to be seen.