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Danaya Chulphuthiphong

약력

Danaya Chulphuthiphong lives and works in Bangkok, Thailand. She holds a BA in Archaeology and MFA in Visual Arts. She started her career as a documentary photographer for a newspaper and a magazine. She is interested in lens-based arts and works with both still and moving images. In 2014, Danaya made her first short film 'Night Watch' which has been selected for participation in the International Competition of the 61st International Short Film Festival Oberhausen, Experimenta India and won the Special Jury Prize from Fronteira, The International Documentary and Experimental Film Festival. In 2016, Danaya released her second short film, 'Demos' which has been selected for participation in Southeast Asian Short Film Competition of the 27th Singapore International Film Festival and won the BACC award from the 20th Thai Short Film and Video Festival.

참여 작품

A Room with a Coconut View

Director of Photography

A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

In the Flesh

Cinematography

Daryn, a seventeen-year-old girl, fed up with her life in a greenhouse, ran into a human smuggler and learnt the way to escape the town. She had not known at the time that this plan would change her life and those around her in the worst way possible.

어둠의 시간

Crew at Gor Surangkanang's House

개개인이 바라보는 어두운 역사의 자락들. 한 영화인과 전직 활동가에서 작가로 전직한 그녀의 뮤즈, 누구와도 관계를 맺지 못하는 듯 보이는 이직한 웨이트리스, 로맨틱하게 엮인 배우와 여배우. 거의 보이지 않을 정도로 느슨하게 서로 얽혀 있는 이들 모두의 복잡한 삶의 진실이 조금씩 밝혀지기 시작한다. (2016년 제21회 부산국제영화제)

Demos

Director

By the time the zoo is closing, detained animals feeling frustrated and confused. The only thing they can do is retaining a slight degree of consciousness, waiting for the changing of time. Demos is a lyrical assemblage of observational footage collected from various places. The film is an attempt to depict the gloom, the oppression and the surreality that exists in Thailand since the military coup in 2014.

스칼라 극장

Director of Photography

스칼라 극장은 1970년에 문을 연 영화관이다. 1000석 규모를 자랑하는 이곳에는 매일 밤 관객들로 가득 차곤 했다. 그 당시만 해도, 영화를 보러 가는 것은 무척이나 특별한 일이었다. 사람들은 극장이란 공간에서 한껏 멋을 내고, 공간 데이트를 하고, 사랑에 빠지곤 했다. 하지만 이제는 이 모든 것이 변했다. 쇼핑몰에는 멀티플렉스 극장이 당연한 듯 들어서 있고, 젊은 세대들은 영화를 휴대전화로 보곤 한다. 하지만 스칼라 극장에서만큼은 시간이 멈춰져 있다. 극장 초창기부터 일했던 직원들이 지금까지 남아있다. 스칼라 극장은 방콕에서 유일하게 남은 단독 영화관이다. 아쉽게도 스칼라 극장이 버텨온 시간 역시 끝을 향해 가고 있다.

The Asylum

Cinematography

The lives of two refugees intertwine over a pond which acts as a sanctuary for them as they look toward liberation.

Night Watch

Director

Watching through an ordinary night, under the "situation normal", during the 2014 Thai coup d’etat.