Stefanie Wilke

They were, at best mocked or ridiculed, at worst incarcerated, tortured, or even beheaded. But they would not be deterred. For decades ten thousands of women in Germany, Great Britain, in France, the U.S. and many other countries fought for their right to vote. Some used the institutions, others turned into media savvy politicians, and still others turned to terrorism, went on hunger strike, or died as martyrs. 100 years later we tell a multi-perspective and emotional story of the international fight, against all odds, for women’s suffrage as an important step towards equal rights.

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

Film by Christian Ziewer.

Pepe is 15. His life in social misery changes completely when he is chosen as the main character of a film production. Shot on location where he lives with his primitive, brutal and authoritarian father, a pig farmer.

This feature film describes the labor dispute of a piecework crew in a large German industrial company and its workforce against the background of the "September strikes" in Germany.

The tax officials Thiel and Kalübbe try to confiscate two oxen, but are prevented from doing so by protesting farmers led by the community leader Reimers. The assistant editor Tredup, who takes photos of the incident, is also in the thick of things.