Bryan Buchelt

In 2007, the Braley Family decided to rescue an abandoned and dilapidated Civil War Era home in historic Saginaw, Michigan. Despite the overwhelming need for repair, the Braley's saw nothing but potential; a 6,000 square foot blank canvas to which the large family could pain a future of their own. Sparing no expense, contractors were deployed to the stately and iconic manor, with the mission to preserve its original 19th century colonial architecture. Almost immediately, strange occurrences began taking place within the home; tools coming up missing, disembodied voices and footsteps, and the shocking appearance of a semitranslucent apparition of a young child. Following several weeks of escalating activity, the bewildered family took it upon themselves to find out who or what was haunting their home. That is when they made the unfortunate mistake of turning to a spirit board for answers...

A documentary film about a supposedly haunted house.

Witness the shocking evidence unfold as paranormal researchers investigate the last remaining building of the ghost town of Iva, Michigan. The old general store, which looms over Dice road, serves as the final monument to those who perished in a deadly plague. When the Midcalf family decided to rescue an old Michigan landmark, they soon realized they were the ones in need of saving.

An entire year of investigation, multiple law enforcement agencies, hundreds of police reports, months of undercover surveillance, thousands of man hours, numerous polygraphs, a string of mysterious fires, a series of unexplained explosions, life threatening injuries, and one family’s worst fears realized.

For years, the Hoyt Library has made headlines as one of the most haunted locations in the entire Midwest. Finally, a documentary film crew was allowed complete access to investigate the numerous claims of paranormal activity. What they captured on audio and video will leave no room for doubt. Rooted in the heart of downtown Saginaw, the historic Hoyt Library has guarded its citizens' history and lineage for over 125 years. A literal gateway to the past, this stately and opulent landmark houses one of Michigan's largest collections of literature, artifacts, and documents... but according to patrons and staff, it also houses a collection of lost and restless souls.

Watch the terror unfold as paranormal investigators find themselves face to face with the restless spirits that inhabit the historic Temple Theatre of Saginaw, Michigan. Witness the hair-raising journey as the film crew explores hidden tunnels, captures shocking evidence and validates claims that the old theatre is indeed haunted. In the heart of downtown Saginaw exists a virtual time capsule filled with history, emotion and long kept secrets. The Temple Theatre (built nearly a century ago) is currently known for its prestige and glamour. However its history hasn't always basked in the limelight.

A documentary shedding light on the certain damage the Income Tax and the IRS have wrought on liberties, businesses, families, and religious, charitable and civic organizations, while empowering a political agenda contrary to America's heritage.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."