Producer
Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. Aïcha Macky explores the origins of the radicalization that is spreading through her hometown and the prospects for escaping it.
Producer
현재의 미국. 그 곳의 화물열차는 마치 한 마리 거대한 뱀처럼 미국의 지형을 가로지른다. 어느 날 모든 것을 뒤로한 채 화물열차에 올라탄 아이비, 캐런, 크리스티나는 위험에 저항하며 미대륙을 횡단한다
Producer
There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.
Director
At the University Hospital of Lyon, a team of doctors led by a surgeon, Dr. Morel-Journel, takes care of patients who ask to change their sex. Pier, Léo, Valérie, each in their own way reveal this necessary transition and the upheavals it has caused in their lives. At the same time, the doctors question the specificity of this identity disorder and their legitimacy to act.
