Adi Nugroho

운명 같은 사랑에 빠진 지즈와 앤. 그러나 집안의 반대와 장거리 연애라는 장벽에 흔들리기 시작한다. 깨져 버린 약속, 반복되는 실망. 사랑은 언제까지 유효할 수 있을까.

Wealthy and spoiled, a young man finds something to fight for when he falls in love with an environmental activist protesting his family's business.

A girl who has never been in love falls for someone she met online. When they meet in real life, she starts to realize that love is complicated.

After a family went bankrupt and lost their house, they have to move to a haunted hotel.

A pet cat become a household horror when it transform into a monster everyday at 12.06 midnight

When a woman from a rich family falls for a man with humble roots, parental opposition to their marriage is just the first of several hurdles to come.

A young man is kept distant from his lover by a strict and unforgiving society. He’d go through hell to be with her, but when a deal with the devil goes sour, hell comes to him instead. This unprecedented collaboration across cultures brings together the Melbourne Symphony Orchestra and a 20-piece Indonesian gamelan orchestra to conjure the bewitching live score for the newly commissioned film Satan Jawa. Directed by revered Indonesian filmmaker Garin Nugroho, Satan Jawa’s soundtrack has been jointly written by award-winning Australian composer/conductor Iain Grandage and renowned Indonesian composer Rahayu Supanggah.

Five years after ending their relationship, a photographer reconnects with a gallery curator in hopes of taking another shot at romance.

Rais, a diplomat, returns home when his mother passes away. He goes to the house of his sister, Rima. There is an awkward situation, as both siblings don't talk to each other.

Lintang and Cakra are childhood friends. Lintang believes in astrology and seeks her soulmate. Cakra believes in dreams and sees the same girl.

Four young people start investigating urban legends in Jakarta. Not satisfied with their findings, they head for a more challenging phenomenon situated at Angkerbatu, West Java. One of them brings a ouija board-type toy called "Jelangkung" to call spirits which changes their life upon returning to Jakarta.

The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.

The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.