Carmen Pradillo

참여 작품

El crimen de Perpignan
Madre de Antonio
Perpignan, 1971. A toy factory supervisor becomes obsessed with a newly hired employee. To be with her, he plans the perfect crime: Training his lover to murder his wife.
La respuesta
Fierce portrait of a leftist student who betrays his girlfriend in order to kill a rich man with high political influence.
La boda era a las doce
Encargada
Elisa, a seller of a fashion house, sends a model to the wrong address. For fear of being fired she decides to recover it on her own. She encounters Alberto, a guy whose wedding is at noon, going to the same place it. From the moment they meet, they begin to suffer all kinds of mishaps.
Placido
In a small Spanish town, during the Christmas holidays, a group of rich old ladies organize a peculiar event that consists of inviting a homeless person to sit down to dinner at their wealthy table. Plácido, a humble worker, is hired by the organizers to participate in a parade with his three-wheeled vehicle, a seemingly simple mission that will not be easy for him to accomplish.
Los atracadores
The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.
Regresa un desconocido
Patrona de Pardo
John, manager of a company, play a game of cards with a group of people he has met in a nightclub. Realizing that one of them cheats, fights with him, and there is a violent fall. Another attendee, a doctor certifies his death. To remove the dead, John is forced to commit embezzlement in your company ...