과거에 이민자를 죽이는 암살자였던 카이나는 외국인을 혐오하고, 인종과 종교가 다른 이들을 증오한다. 지금은 청부살인을 그만두고, 익사한 이민자 시체를 해안에서 건져내 국가가 운영하는 처리 시설에 팔아넘기는 일을 한다. 그렇게 넘겨진 시체들은 시멘트로 용해된다. 한편, 튀니지 출신 나히리는 다른 불법 이민자들과 시체를 훔쳐 매니저인 시뇨라 지비엘로를 통해 암거래로 돈을 번다. 하지만 나히리 무리는 시체를 확보하기 어려워지자 생존한 이민자들까지 익사시키기에 이르고, 이에 나히리는 무리를 떠나 카이나를 찾아간다. 그리고 그녀에게 함께 일하자고 제안하는데...
The world of young people and the problem of disability...
Pietro
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Papillon
When a story ends and the two do not know how to say goodbye comes the classic excuse "I'm leaving you because I love you too" With this sentence Daniela says goodbye to Mariano and literally disappears. The friends try to help Mariano in the most classic ways, presenting other girls. But Daniela is always in his thoughts. Finally seems to portend the nail that will drive the nail in the guise of a beautiful Brazilian. But winning does not show up at all easy.
Antuono's soldier #2
17th-century noblewoman Porzia leaves the cloister she was raised in to marry, but an ambush leaves her alone with humble coachman Bartolo. While venturing into dangerous and unknown lands, the two grow increasingly close despite their opposite backgrounds.
direttore del night club
Sindaco Antonio Ruoppolo
A bureaucratic snafu sends Marco Tullio Sperelli, a portly, middle-aged northern Italian, to teach third grade in a poor town outside Naples
Porter
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
